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水龍經 - WATER DRAGON CLASSICS 4

8/3/2015

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As translated by Micheal John Paton

General Discussion —Chapter 2

In this chapter what is said about the water dragon refers, in fact, to the regular pattern of the heavenly stars. It was Dong Yuyuan, styled Hualong shan ren, who wrote about and narrated the words of Jingchun. I do not know from which era Master Dong came. In his maps there are thirty six nodes. All of them correspond to the heavenly stars. Each situation includes four word phrases, in total sixteen characters. (Amongst these) there are fuma and jingtang which are appellations of recent times.

This means that it was written by a man of recent generations. This is clear evidence. The method of delineation of the mysteries of star divination is not vulgar. If he was not a scholar who had much erudition in terms of phenomena, charms and omens and an exhaustive exploration of astrology, how could he see to their limits?

Even though it is not necessarily a complete manifestation of the ideas of Jingchun, the author still obtained the meaning from the remnants. As to the sentences and phrases, they show erudition and are well constructed. As a work of scholarship, the beauty is comparable to the Daya of the Book of Songs. It can be seen that this book is unlike the common discussions.

I have examined the masters of the principle of the earth from the Master Yang until now, and few have had literary ability for a long time. There is only the wonderful talent of commoner Lai of the Yuan dynasty who had the misfortune to be under the Mongols and who would pretend to be drunk, living on poetry and wine to hide himself in the mortal world. Yet whenever he chanted in the various counties of the Kull area, his literary talent would be brilliantly displayed. Until now I considered talent like that of Mr. Lai as incomparable but I also give Master Dong this ranking. How can it not be that there is much talent among the experts on form?

Observe that the discussion is only about the similarities between the heavenly stars and the forms of water and these are categorized in order to seek them out. In fact, it is not that there is no basis for this. Is it not said by the ancients that phenomena are established in the sky and forms are established on earth and that the phenomena of the sky and the forms of the earth have a distant correspondence?

Surely, this is of this principle. Is this only something that has been casually passed down? By this we know that the regular pattern of the heavenly stars and what has been passed down to common man with the twenty four directions, each of which is divided into the movement of the stars, are as different as heaven and earth because land has a fixed position but stars do not.

Even though this eliminates the old Five Phases, it does revolve around life and death. Believing the ear is not as good as believing the eye. Believing the eye is not as good as believing the heart. The world has this book and this means that the essential spirit of Jingchun now still has the possibility of existence.

Written by Dahong


Water Pincer Prose of Guo Jingchun

All is vast between heaven and earth. The three celestial bodies are manifest and hidden. The one qi moves in a cycle. The Five Phases wax and wane. Thus, rivers flow and mountains are lofty. The warmth of yang is life. The cold of yin is death. From the ancient sages, we have looked to the heavens as a criterion for objects and examined righteousness according to the earth.

Qi is what carries the principle. It is powerful and boundless. The principle congregates and qi gathers. Yin valleys produce yang. The land manifests rivers and great mountains. The Big Dipper hangs in the sky. In the vastness there is indeed one qi. It has same feeling but different names.

A true node is of a wondrous form. With the multitude of stars shining down, the merit of heaven is smoothly spread. The virtue of earth accepts this merit from above. Reed pipes and flying ashes conceive the cherished hundred spirits. 


The sun, the moon and the stars

Mold them by using qi and the form. Separate them into good and ill fortune. Yin and yang mutually reciprocate and the five fates majestically unite. To praise singularity and abandon duality is a deviation from the art.

In desiring to discuss the land, first observe the sky. In desiring to obtain the form, first investigate the fundamentals.

The traces of Yu are vast and boundless. Who is able to carefully inspect them? By not examining the flow, how does one know its source?

The prevailing heavens extend endlessly, fold upon fold and abyss upon abyss, riding the qi and moving.

The mother conceives the son and the husband and wife copulate. Stripped bare, changing and meandering, the submissive benefit is auspicious. Any sudden gushing is detested.

1.       Water of Earth is wide and heavy.

2.       Water of Metal is circular and pure.

3.       Water of Wood is rigid and straight.

4.       Water of Fire is flying and leaping.

At the water's edge look towards the distance. Do not lose the form.

Metal and Wood are mutually offensive. If there is a transformation to Water, then they are matched.

When Water and Fire fight with each other, the flourishing of Wood is particularly prohibited.

The Earth spirit produces Metal which dreads most a meeting with Wood. If the Wood star brings with it Fire, the whole family is overthrown.

For each there is a turning point where animals are raised. The placenta of the fetus dies. If the living have a flourishing official salary, with a clash there will be punishment and injury. The calamity will come rapidly. 


Star Seal Section

Alas, the Yangzi and Yalu rivers! The heavenly sea overflows without limit. In this powerful, surging flood, the dragon sleeps at night. The infinity of the border leads to even more uncertainty. Even though there are twists and turns, do not fear the winding.

On opening the lock to heaven, a man of virtue does not remark on it. Below one seeks the waters of the Huai, Si, the Three Gorges and the Han. The great veins run vertically and horizontally along the torrent touching the banks.

Provinces, cities, towns and villages are what the dragon spirit takes possession of. A revolving wall or turning screen, the veins follow the qi to gather.

Raise your eyebrows and look into the distance at the wonderful view corning together. The water around islands and inside gorges is vast and narrow rivers enter lakes.

Jingchun set out the patterns of thirty six nodes. At the end of the Jin dynasty the immortal voice died. Since the Tang and Song dynasties the water method has become empty and has disappeared. When was the stone case of Qing Wu written? It does not contain other mysteries but only spoke of water pincers. The water pincer dragon method emerged from Jingchun. With various confused and erroneous versions which entangled the forms, it is difficult to narrow down. One obtained the fish but forgot the bait; this must be realized with the heart.

The water binds and the sand turns, spreading like a terrace recognize the roots and discern the trunk; recognize the branches and discern the leaves. When the mountain is chaotic, the configurational force rushes forth. When the water is chaotic, the configurational force is connected. Spider's silk and the duckweed of water are indistinct and imperceptible. Entering the earth (the qi) is not diminished. Entering the water it is not blocked. A superior sage discerns the qi. A lesser sage discerns the form. When the form and the qi are both obtained, Good fortune and misfortune are naturally real. Observe the depths as if they were shallow; observe the quietude as if there were an uproar. This is the fundamental of the fundamental, yet it is difficult to put it into words. The ancients are already gone. All that is left is the dregs.

The South East is mild and warm. The North West chills you to the bone. The snow and ice has not yet dispersed. The water in lakes is easily drained. Survey the high and assess the flat.

Vital qi is obtained in the node.

The precious three-legged bronze cauldron is covered with smoke. The rain has stopped in the eaves. The drawn crossbow shoots the bolt. A wielded knife cuts to the joint. Like the beard of a shrimp and the eyes of a crab, the fundamental theories are numerous and disorderly. Because they stick together and rely on each other, the method is on the lip and in the breast. The spirit is not passed on by the eye. The fundamental mystery is not passed on by the heart. The mediocre teachers are confused. They do not distinguish the Five Phases. They are already enamored in their bindings. Most of them also mistake the stars, Indicating that life is death and insisting that falsity is truth. Above they show contempt for the heavenly vault. Below they destroy the form of the earth. The spiritual radiance does not shine and daylight is dark and murky. In the darkened hall there is resentment until good fortune is diminished and life degraded. This principle is muddle-headed. Grant, receive, abide by and use the true mystery to enlighten and teach the men of later times.


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    SanYuan DaGua 三元大卦
    SanYuanDaGua 三元大卦要訣
    SanYuan FeiXing 三元飛星
    SanYuanFeiXing 三元飞星
    SanYuan JiuXing Fa 三元九星法
    SanYuan JiuYun 三元九運
    SanYuan 三元
    SanYuan 三元
    Seat Of Wealth 财富座位
    Secrets Of XuanKong 玄空秘旨
    ShangGuan 伤官
    ShanGuan RenDing ShuiGuan Cai 山管人丁水管財
    ShanHaiJing 山海经
    Shao WeiHua 邵偉華
    ShaoYung 邵雍
    ShaWang Zhi Qi 杀旺之气
    ShengJi 生基
    ShengSiYouMing 生死有命
    ShengWangJue 生旺賦
    ShengWang Zi Qi 生旺之气
    ShenSha FengShui 神煞風水
    ShenSha 神殺
    Shen 神
    ShiDao TianXing Fa 十道天心法
    ShiDao 十道
    ShiEr YuanShuai XinLei 十二元帥行雷
    ShiEr YuanShuai XinLei 十二元帥行雷
    ShiFa 筮法
    ShiMuXian 蝨母仙
    ShiShen 十神
    ShiShen 十神
    ShiShen 食神
    ShiTuiLun 十推论
    ShiYe 十翼
    ShouShanChuShaJue 收山出煞訣
    ShuiFa 水法
    ShuiLongJing 水龍經
    ShuoGua Zhuan 說卦傳
    ShuQiXiang 数氣象
    SiHeYuan 四合院
    SiJi 四吉
    SiMa DuoTuo 司馬頭陀
    SiMa DuoTuo 司馬頭陀
    SiMa ShuiFa 司马水法
    SiQi SanJi 四吉三奇
    Sitting Mountain 8 Killing 坐山八煞
    Sitting Mountain Robbery Killing 坐山劫煞
    SiXiang YinYang Fa 四象陰陽法
    SiXiang 四象
    SiZhu BaZhi 四柱八字
    SiZhu BaZhi 四柱八字
    Star Casino Sydney
    SuiDe He 歲德合
    SuiDe 歲德
    TaiJi 太极
    TaiSui 太歲
    TaiXing 替星
    TaiYi ShengShui 太一生水
    ThongShu 通勝
    ThongShu 通勝
    Three Heavens 三天
    TianDi FanYin 天地反吟
    TianDiRen 天地人
    TianFang DiYuan 天方地圆
    TianFu DiFan 天伏地反
    TianRen HeYi 天人合一
    TianXing Pai 天星派
    TianXing 天心
    TianXing 天星
    TianXing 天星
    TianYi GuiRen 天乙貴人
    TianYi 天乙
    TianYuan DiFang 天圆地方
    TianYuJing 天玉经
    TianYuJing 天玉经
    TiXing 替星
    TiYung 體用
    TuanCi 彖辭
    TungShu 通書
    Tycoon Gou 郭台銘
    Tycoon Grave 富翁墓
    Tycoon Li 李富翁
    Vein 个字下脉
    Viva
    Walking The Dragon 尋龍點穴
    WangTingZhi 王亭之
    WanNianLi 萬年曆
    Water Shed Xue 水脱穴
    WenYan Zhuan 文言傳
    Word Word Gold 字字金
    WuChang Pai 無常派
    WuGui YunChai 五鬼運財
    WuMing Xue 无名穴
    WuXian 五线
    WuXin RenGe 五型人格
    WuXin ShengKe Fa 五行生克法
    WuXin ShengKe Fa 五行生克法
    WuXin 五行
    WuYin 五音
    XianDai SanYao 現代三要
    XiangCi 象辭
    XiangXue 象學
    XiaoXuanKong 小玄空
    XiCi Zhuan 系辭
    XingJia 形家
    XingShiPai 形勢派
    Xing ZhiZhu 星为主
    XKDG KouJue 玄空大卦口訣
    XuanDao 妙道
    XuanGuan ThongQiaoGe 玄關同竅歌
    XuanGuan 玄關
    XuanKong 4 Classics 玄空四经
    XuanKong DaGua 玄空大卦
    XuanKong DaGua 玄空大卦
    XuanKong Da WuXing 玄空大五行
    XuanKong Gua 玄空卦
    XuanKongSanJue 玄空三诀
    XuanKong 玄空
    XuanKong 玄空
    XuanZe QuiZhen 选择求真
    XueXinFu 雪心赋
    XuGua Zhuan 序卦傳
    XunShou 旬首
    Yang CangHua 陽藏華
    YangGong GuFa 楊公古法
    YangGong XinFa 杨公新法
    YangZhengLiaoLiu 楊曾廖劉
    YiGua ChunQing 一卦純清
    YiJing 易經
    YiLiSu 一粒粟
    Yin FengShui 阴风水
    YingYangLuoShu 阴阳洛書
    YinYang Dun 陰陽遁
    YinYang Fa 陰陽法
    YinYang GuiRen 陰陽貴人
    YinYang Jie 陰陽
    YinYang 阴阳
    YiWu YiTaiJi 一物一太極
    YiZhuan 易傳
    YiZhuDingJiXiong 一柱定吉凶
    YongShen 用神
    YongShen 用神
    YuanGua 元卦
    YuCheJing 玉尺经
    YuCheJing 玉尺经
    YuCheTang 玉尺堂
    YuHanJing 玉函经
    YungYaoFa 用爻法
    ZaGua Zhuan 雜卦傳
    ZangShu 葬书
    ZangShu 葬书
    ZhanBu ZhanBu 占卜
    Zhang BiShi 張弼士
    Zhang JiuYi 張九儀
    Zhang QingYuan 张清渊
    ZhangShu 葬書
    ZhangYan Fa 長眼法
    ZhaoShen 照神
    ZhenCai 正财
    Zheng JinGui 郑景贵
    Zheng QingFeng 鄭清風
    ZhenGuan 偏财
    ZhenPianXiang 正表向
    ZhenShen 正神
    ZhenYing 正印
    ZhenYinZhenYang 真阴真阳
    ZhongHuo ErXing Fa 中火二星​法
    ZhongQi 中氣
    ZhongTianGua 中天卦
    ZhongTianGua 中天卦
    ZhouShengXiangSi 座生向死
    ZhouSiXiangSheng 座死向生
    Zhou WenWang 周文王
    ZhouYi 周易
    ZhouZhongPai 中州派
    ZhuXianPai 祖先牌
    ZiBai Jue 紫白賦
    ZiFu ChaiGuan 子父財官
    ZiMen 紫門
    ZiPing BaZi 子平八字
    ZiPing BaZi 子平八字
    ZiXing 紫星
    天寶秘訣 TianBao MiJue
    滴滴金 Drop Drop Gold
    金口訣 JingKouJue


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