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Picture

​Act 16: INTERROGATION

In this Project 1, which is the descriptive installation, we were challenged to translate a story from a novel name "NO DRAM OF MERCY"  by Sybil Kathigasu into a decriptive installation. The part i chose from the novel is the scene was after Sybil Kathigasu captured by the japanese. She was soon interrogated by the japanese and was tortured to reveal the information she had. She wa subjected to a lot of torture methods, including water cure, burn using the hot iron rod, remove the finger nails and etc. And all this carried by the japanese inside the cell.

          At the begining of the project, I seach for the picture of the cell block back in 90s century, and I capture the feeling from the cell block, which are dark and hard to breath. Then, I try study the detail of the torture methods listed in the novel, and try to imagine the feeling and the situation of Sybil Kathigasu when being torture by the japanese in the cell. Hence, I also consider the wound that would be on Sybil Kathigasu.

          After the research, i try to translate my reasrch into a model. Firstly, i used the shell to represent Sybil Kathigasu, wire gauge as japanese, and pearl as the secret or information of MPAJA. I put the pearl inside the shell and wrapped the wire gauge around it, represent the situation when Sybil tortured by the japanese while still keeping the secrets of the MPAJA. At the second time, i changed the shell to a glass bottle and pearl into a paper roll. This time I am using a concept of a chinese proverb "keeping the secrets like a bottle". I put the paper roll inside the bottle, and then place the bottle among four column and wrapping by the wire gauge, representing the same meaning as the last mock-up model.
​

          Lastly, Icombined my idea from the mock-up model and the research into one. This time, I used steel as my main material in the model. I craft the incomplete body, which means that Sybil Kathigasu was tortured really bad, and eventually lost the ability to walk by herself. The model was painted in black colour according to the situation when Sybil is detaining in the cell block. I applied the rhytm principle into my model, i get the idea when japanese torture Sybil repeatly to reveal the information that she had.The model represent a timeline, the foot is the beginning. From the beginning, the foot is fixed on the base, which meant Sybil was captured by the japanese. After that, the wire net represent the cell block and the steel wire represent the torture applied on Sybil, she was tortured repeatly with different kind of methods, which show the properties of rhytm. Lastly, the steel net only come before the knees, represent the coming of liberation, but at the same time, the steel wire still extend even during the liberation time had came, this represent that Sybil still torturing by the previous torture japanese applied on her. Some will ask why there is only a hand, this is because I wanted to show the incompleteness of Sybil Kathigasu, and also represent that Sybil hold and keeping the secrets of MPAJA until the liberation has come. ​
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  • Home
  • About
    • Professional Registration
    • Qualifications
    • Engagements
    • Private Practice
    • SIF Fellows
  • Practice
    • Our Approach >
      • S:Scale [Artefacts]
      • M:Scale [Building]
      • L:Scale [Urban]
    • Large Projects >
      • Highrises >
        • SSM International School
        • JBio
        • UKIH
        • Vertigo Residency
        • Diorama
        • Resi-Hub
        • SunMed
        • Medini
        • Palmspring Damansara
        • Blink
      • Lowrises >
        • Data Center
        • Garden Homes
        • XIN
        • Albient
        • Hillcourt
    • Small Projects >
      • Rustic Raphsody
      • MCM >
        • Estate House
        • Uniform Annex
        • Kitchen Extension
        • Sixth Form Center
      • Putrajaya Boulevard >
        • LOO
        • BOO
        • DOO
        • 5 Elements Tower
      • Detached Houses >
        • Batu Residence
        • Malaqa Residence
        • ParkCity Residence
        • Sierramas Residence
      • Commercial >
        • Albion Club
        • QuanYuan
        • Nippon Go
    • Interior Designs >
      • Spartan Minimalism
      • Neo Retro
      • Reflective Modern
    • UBBL 1984
    • Newsletter
  • DYA + C
    • Our CV
    • Adjudication >
      • CIPAA Procedure >
        • Scope of CIPAA
    • Arbitration >
      • Appointment of Arbitrator >
        • Terms of Appointment >
          • Preliminary Meeting Agenda
      • PAM Arbitration Procedure
      • Arbitration Costs Breakdowns >
        • Drawdown
      • Award Writing Blog >
        • Expert Evidence in Arbitration
    • Mediation >
      • Appointment of Mediator
      • Mediation Process
      • Skill Set Lev 01 & 02
    • Expert Determination >
      • Expert Rules - PAM
      • Expert Determination Processes
    • Building Inspection Services
    • Courses & Training >
      • Contract Administration
    • ADR & Construction Law
  • Consultant
    • QuanYuan 泉緣 Story
    • Review
    • QuanYuan >
      • Why QuanYuan?
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      • Consultancy Services
    • Our Lineage
    • Workshop >
      • Teacher's Profiles
      • Message
      • SanYuan 01 - Introduction
      • Community
      • Registration of Interest
    • QiMen DunJia 奇門遁甲 >
      • QMDJ - Shifting Palace
    • Audit & Cases >
      • Cases - REA Hotel
      • Cases - Childless Couple
      • Cases - Childless Couple 02
    • Yifengshui
    • Newsletter >
      • MBS FengShui Reinvestigated
    • FAQ
    • E-Store
  • Educator
    • Author I am...
    • Speaking Engagement >
      • International Contract
      • PAM cpd UNLIMITED 2.0
      • Arch Edu Practice Paper - 3Ds Pedagogy
    • Attempting Law School
    • Journey in USM(Arch) >
      • Thesis >
        • Site Analysis
        • Urban Design Approach
        • Sketch Design
        • Model Based Paradigm
        • Technical Studies
      • Studio 01
      • Studio 02
    • Discourse in Studio 6 >
      • Ideation
      • The Production Model >
        • The Actors
        • The Stage
        • Urban Mass
        • The Box
        • The Play
        • The Break
        • The Newsletter
        • The Document
        • The Presentation
    • d:KON 4 >
      • Actors >
        • Chua LiCheng
        • Ng KenHong
        • Sean Tan
        • Peggy Chai
        • Elliotte Teoh
        • Vincent Tow
        • TzeLer
        • Elaine
        • Ng SongChun
        • Carissa Foong
        • Ng WeiMun
        • Ng ChenYin
        • Nicol Ong
        • Adron Liang
        • Ivan Sung
        • Lau HuiJew
      • Acts >
        • Portraiture
        • A Slice of Space Time
        • Box of Installation of Lights
        • Radio Misreading
        • Grid of Destinies
        • Shelter
        • Anatomy of Pain
        • Tensigrity of Ego
        • Of Prisons and Walls
        • Forest of Nails
        • Curtain of Fears
        • Dissolution of the Ego
        • If it's Ain't Broken it's Ain't Worth Mending
        • Flight of Freedom
        • Cross of Complexity and Contradiction
        • interrogation
      • Stage >
        • Soap Box
      • Play
      • Approach
      • Galleria >
        • Martial Gallery
        • Drive Through Gallery
        • Clinique Gallery
        • Cafe Gallery
        • MACC Gallery
        • Haunted Gallery
        • Backpacker Hotel
        • Audio Bookshop Gallery
        • Funeral Parlour
        • Extreme Game Gallery
        • Play Ground
        • Wedding Gallery
        • Meditation Gallery
        • Water Tower
        • Photography Studio
        • Chapel Gallery
    • External Critique >
      • Discourse in Sem 06
      • Discourse in Sem 05 >
        • The Site - KB
        • The Rectilinear
        • The Paired Kidneys
        • The Boat
        • The Decepticon
        • The Curvature
      • EnviroDesign MasterClass 2015
    • Philosophy
    • Codes Regulations & Standards >
      • Building Codes
      • Fire Codes
      • QAQC & Building Inspection
      • Critics
  • Photo Essays
    • Shanghai
    • Siemreap
  • Contact