UNLOCKING THE GOLDEN LOCK JADE PORTAL
When JayTee posted this in his FB page, apparently he was surprised that there were masters in Bolehland that were desperately teaching it at such a cheap fee as compared to someone in Kiasuland teaching the same stuff for SGD3,888 almost more than 10 times his price. Little did we realized that the contents of both subjects were more or less the same? However, the 'key' to apply such an art was nowhere to be found. It was a joke that the Bolehland master cannot differentiate between the notion of mountain and water. Therefore some student after ‘investing’ in such course couldn’t reconcile, let alone apply.
As a gesture of our compassion and sorry if you have to pay through your nose just to get this piece of information before, let us unlock the working mechanism of this method. Before that, get your introduction of this method HERE.
DEFINITION AND PARTS
This method is divided into 2 parts: -
In this paper we shall only discuss about the working mechanism of the 2nd part which is Landform YinYang 巒頭陰陽
YI PRINCIPLE OF LANDFORM YINYANG 巒頭陰陽
MAPPING INTO BAGUA 八卦洛書法
LANDFORM YINYANG FORMATION 巒頭陰陽
An extension to Naked Eye Method 長眼法 but taking into consideration the BaGua 八卦 instead of just the Four Imagery 四象.
When we do not know... it is worth a lot of money. When you were told... it doesn't worth a cent. If you look at these techniques of Golden Lock Jade Portal 金鎖玉關, you are able to recognize that it is an extension of Naked Eye Method 長眼法, which is again, an extension of YangGong’s 楊公 Heavenly Heart Methodology 十道天心法. Someway along the line FengShui master needs to make a living by dissecting all these into smaller chunks to feed the greedy masses that ultimately chase after formulas... We conclude this by saying... "FengShui F%$King WORKS!"
NAKED EYE 長眼法 AT A GLANCE
You may have heard about a technique called – Naked Eye Method 長眼法. This Form School 形家 YinYang Methodology 陰陽法 enable a practitioner to determine the auspiciousness 吉 or calamity 凶 of a site without the use of LuoPan 羅盤 by employing Dragon 龍, Tiger 虎, Phoenix雀 and Turtle 武 to evaluate landform and uses form 形 to remedy any shortcoming.
According to one school founded in Taiwan by the Mud Eel Master 泥鳅師, it has nothing to do with Qi flow 氣流法 and it is a standalone technique. However, one LiuFa 六法 school claimed otherwise that it is originated from a fixed Gua 定卦 perspective and Mud Eel Master 泥鳅師 school only have divination technique 斷絕 and did not have the Yi principle 易理, therefore not a complete transmission.
In fact, both the Mud Eel Master 泥鳅師 and LiuFa 六法 school incorporated this technique once called YangGong’s 楊公 Heavenly Heart Methodology 十道天心法 that uses the Cross Line 十道 reference of a human body 人體 as a mean to measure landform 形家 with the aid of a walking stick 長. That is where the name Naked Eye Method 長眼法 comes about.
Unlike the Golden Lock Jade Portal 金鎖玉關, it does not really based on the entire eight trigram 八卦 and LoShu 洛書. Instead it is based on the Four Imagery 四象, YinYang 陰陽 and HeTu 河圖 numerology. Therefore it is sometimes called Four Imagery YinYang Techniques 四象陰陽法.
Coupled with Passerby YinYang 過路陰陽 that has a close proximities to XuanKong Gua 玄空卦, Naked Eye Method 長眼法 can be incorporated with the permutation of the eight trigram 八卦 to determine Who, When and How an event would occur based on landform.
EEL MASTER 泥鳅師
A short introduction of this school originated from the Monk Master 和尚師, rather an absolute generic name for a founder of a great school of FengShui. Zheng QingFeng 鄭清風, as a young turd has been spending his youth in the mountain attending to goats and cows and having the affinity to meet this Monk Master 和尚師, that was famed to have been following the retinue of Chiang KaiShek 蔣介石 at that time, defeated by the Communist to retreat to Taiwan. In a sunny morning Monk Master 和尚師 has taught Zheng QingFeng 鄭清風 the art of Naked Eye Method 長眼法 through the various burial grounds around that area. With confident, the young Zheng QingFeng 鄭清風 approached other masters that have been dotting graves around the area, while providing accurate and sharp predictions to the many grave sites, he managed to carve his name in the industry at his time. He was later known as Snail Master 泥鮴師 owing to his casual habits of catching eels in the countryside. This school was survived by the current contemporary lineage holder in Taiwan and due to the quick nature of summing up the FengShui of a grave or a premise, it was widespread through Singapore, Malaysia but not HongKong, surprisingly.
REFERENCE POINT OF NAKED EYE
The followings are the reference point as the common terminology in reference to the directions: -
THE YI PRINCIPLE OF NAKED EYE 長眼法易理
The numerology of HeTu is divided into the followings:
THE FOUR IMAGES YINYANG TECHNIQUES 四象陰陽法
HeTu Combination – YinYang Balance.
THE NAKED EYE COMPOSITION
The IDEAL set up:
DRAGON CROSSING 龍過堂
External formation matching Desk Setting:
There are more to these techniques. Shown here are the basic principles based on Yi principle 易理, YinYang 陰陽 and Four Imagery 四象. The other aspects not discussed here are as the followings: -
Many SanYuan school FeiXing Pai could not reconcile the teaching of this branch of FengShui school that was considered to be the most superior FengShui art by the Grandmaster Shao WeiHua 邵偉華大師 and rendered it to be nothing more then gibberish rubbish! The problem is with the incompatible understanding with the meaning of mountain and water that may have nothing whatsoever related to the dragon, rivers or roads. The key understanding to unlock the meaning of this art vested in 動靜 'Movement and Stillness', a sought after methodology that can be applied to all schools of FengShui be it SanHe or SanYuan, Bazi, BaZhai and other Chinese Metaphysics.
Modern literature only revealed the art of 過路陰陽, Passerby YinYang methodology that vested on divination art. It comprises only a very small portion of this methodology. Was told that only 30% of the methods are available and the remaining are taught only through Oral Transmissions. The grandeur of Golden Lock Jade Portal 金锁玉关 vested on its ability to use the static BaGua to determine the auspicious of any given land form FengShui. It is rated as the most superior Land Form method. However, this must be taken with a huge pinch of salt...
GOLDEN LOCK JADE PORTAL 金锁玉关
GRANDMASTER SHAO WEIHUA 邵偉華大師
Grandmaster Shao WeiHua 邵偉華大師 called himself as the philosopher of the Song Dynasty. He also claimed to be the 29th descendant of Shao KangJie or better known as the YiJing expert ShaoYung. Worked in many fields before. Upon old age studied YiJing and Chinese Metaphysics including FengShui, BaZi and real estate. Well known to be decoding the cryptic YiJing code. He has since popularized the art of Golden Lock Jade Portal and remained as the respected YiJing FengShui master who has brought himself from rag to riches. He is among the surviving Time Master 時師 of this generation.
The general arrangement of the script looks more like the work of the modern author in a 7 words prose, typical of Tang Dynasty classics.
DEBUNKING THE MYTH OF GOLDEN LOCK JADE PORTAL
Append herewith the criticism by Master Chen LongYu 陳巃羽老師, apparently judging Golden Lock with the knowledge of SanYuan XuanKong FeiXing methodology, which is a BIG MISTAKE. He has identified 5 key areas of dispute as the followings: -
The 70% of the arts are the application to fulfill the general desire of all common people such as: -
You read it right - it is all about LOCATION, LOCATION and LOCATION! 70% of this art is to teach you HOW TO CHOOSE AN ULTIMATE FAVORABLE LOCATION. This is way before you even attempt to use any forms of FengShui to tap into the external Qi be it Macro or Micro. This is the MOST FUNDAMENTAL of all fundamentals of YinYang before anything else... Above all, it once and for all put the SanYuan Direct Indirect Spirits, as what we have been taught to believe in, into OBLIVION!
GOLDEN LOCK'S PASSERBY YINYANG LUOPAN IN THE MARKET....