One FengShui connoisseur from Vietnam shared a murder case as his basis of XuanKong analysis based on the school of WuChang Pai 無常派. With unfortunate cases like this, it is highly unlikely to do a prediction based on whatever LoShu chart we have. The most we could only do a post-diction, see if it does correspond to the numbers in the LoShu chart, the WuChang 無常 way…
FAN FUYIN 反伏吟
According to the treatise of WuChang Pai 無常派, a sudden death event occurred in a family is highlighted via what is probably known as FuYin 伏吟 and FanYin 反吟 within the LoShu chart. Yin 吟 is siren, ought to have sounded in giving a life and death warning to the inhabitants.
FuYin can be understood as Repeated Siren, it is liken to someone repeating the same warning to you again and again in an annoying manner and it is considered to be greatly inauspicious. That happens when the mountain or facing star in the middle is the 5 Yellow. The numbers may repeat the flying pattern of the LuoShu numbers in any palace.
FanYin 反吟 is short for Fan FuYin 反伏吟 or Opposite to Repeated Siren. Some teacher takes this as auspicious because it is supposed to be the reverse of FuYin. However, it is truly inauspicious because in any palace the numbers (Mountain or Facing number with the Luoshu number) added up to 10 and this happens when the Mountain or Facing star in the middle is the 5 Yellow. Beyond a superficial level, you will also see that it don’t make sense at all, as a combination of 10 should always be beneficial, but why not for this instances? What is the catch? The caveat is in this term - Fan FuYin 反伏吟 whereby when a FuYin occurred, it may also come together with its reversal, thus its double whammy. It doesn’t really make sense in terms of the stars but it truly make sense in terms of DaGua.
FuYin 伏吟 and FanYin 反吟 usually denotes deathly events and if the structure is not timely or broken and does in any manner conform to the natal chart, its malignant effects are great. In many books on this subject, the most fear after FuYin 伏吟 and FanYin 反吟 is the facing, because the Qi mouth of a house is usually located at the facing. However, as the saying goes, water governs wealth, mountain governs health, it cannot deny that an occurrence of FuYin 伏吟 or FanYin 反吟 at the sitting instead of facing, gives the more detrimental effects to the inhabitants in terms of health matter.
FAN FUYIN APPLICATION
THE LITMUS TEST - CASE FACT
A murder case, happened in North Vietnam at early morning 24th September 2016. The house was built and moved-in in 2015. The house measured sitting Yin facing Shen - 243 degrees.
Upon moving in: -
Googlemaps revealed that the location is far from superior as it is located within the basin known in geography as the island of the ox-bow. Landform liked this has very little Qi, thus a broken structure. Its location having rivers at both sides, with the rear river closest indicating the front may have been higher with the back low. In XuanKong 4 structures this is known as backward riding the dragon or up the mountain down the water structure, where the sitting star may not be that strong after all.
PAILONG AIXING 排龍挨星
The house was built and moved-in period 8. A period 8 chart with sitting Yin and facing Shen is constructed. The facing palace comprises of the period star 5, facing star 2# and sitting star 8#. 2#-8# combination 10 at facing. Wouldn’t such be great? Unfortunately, this natal chart of the house also called, arranging the dragon 排龍 of the house has nothing to reveal as it has no FuYin. Better still, sitting star 8# that is timely meeting facing star 2# that is untimely will violate the entire benevolent of the timely star? Mind boggling… Perhaps, the sitting timely star 8# arriving at the facing violate the cardinal rule that the “mountain dragon god shall not go down the river, 山上龍神不下水，水里龍神不上山, 青囊序，Mountain on top Dragon God don’t come down to water, Water within Dragon God don’t go up the mountain, (QingNan Xu). Therefore, the timely 8# sitting star has been violated and rendered useless…
When we plot in the annual 2016 star - #2 arriving at the centre, appear before us is a FuYin 伏吟 chart. The annual star and sitting star are in FuYin 伏吟 formation for all the 9 palaces. We shall check if indeed it is a FuYin 伏吟 formation at the facing.
There is a second test to see if indeed it is a real FanYin 反吟. This is through AiXing 挨星. Facing has 8#-8# Gen WeiShan 艮为山 Gua. Based on Gen WeiShan 艮为山 Gua, we have Dui WeiZe Gua 兑为泽 Gua as its FanYin Gua and Zhen WeiLei Gua 震为雷 as its FuYin Gua. Given house measured sitting Yin facing Shen - 243 degrees, none of the AiXing 挨星 falls within the FanYin nor FuYin. Yet, there are people killed! The above said description failed the litmus test… miserably.
ONE ROOM ONE TAIJI 一物一太極
Perhaps, we may look at the individual room itself before we come to any conclusion…
ON THE OTHER HAND
The house measured sitting Yin facing Shen - 243 degrees are very close to a small DE under the 72D rings based on YangGong methodology. It already foretell issues related to bloodshed. A good theory, must consistently without failed proved to show result even by the method of reverse engineering. In this instances, it has showcased that FanFu Yin can only be applied to one room, one TaiJi applications. Beyond that it seems that the theory faulted in many areas. This is only one attempt based on a popular known so called WuChang Pai 無常派 applications. How about the rest of the XuanKong derivatives such as MiaoPai 妙派 and so forth?
XUANKONG 3 SCRIPTS 玄空三诀
XuanKong Three Scripts 玄空三诀 summarize the three important factors of doing FengShui based on XuanKong 玄空. Different schools may call these scripts differently, but ultimately they are pointing to the same aspect of doing FengShui. It is used to be known as the three ancient oral transmitted scripts 三個古訣. There are many interpretation to these scripts, many beholding such as the top secrets. In some schools, these had been further expended to six, giving birth to the Six Methods of XuanKong or LiuFa. These scripts also generally shared among schools outside SanYuan such as SanHe. Generally the Three Scripts are: -
WHERE IT COMES FROM?
These scripts are made known by the so-called lineage holder of ZhongZhou Pai 中州派. Please do not get confused with SuZhou Pai 蘇州派. They are entirely different thing (read HERE for details). ZhongZhou Pai 中州派 was claimed to be a less known school of XuanKong based on its principle of One Teacher, One Student, 一师一徒. It was only made known by Wang TingZhi 王亭之 via his writing ZhongZhou Pai XuanKong School 中州派玄空学. He claimed that as he has made enough fortune to retire into “Shangrila”, he no longer needs to practice this exoteric knowledge thus he decided to disclose them via his writing. It may also mean, this method may not be really reliable and therefore can be disclosed to others… Being a renaissance man, Wang TingZhi 王亭之 professed many talents ranging from FengShui, ZiWei DouShu, food critiques, linguist, tea connoisseur to Tibetan Buddhist Master. Having such illustrious profile also made him an outspoken provocateur to many areas of Chinese Metaphysics especially FengShui, with equal amounts of brickbats as well. He owes such knowledge to his lineage master from Taiwan, famed for his skill in ZiWei DouShu, having also to say that without ZiWei, there is no ZhongZhou Pai 中州派.
ZHONGZHOU PAI 中州派
THE FIRST SCRIPT
HARBORING STAR SCRIPT 安星訣
COMMENTARY ON HARBORING STAR
The term 下卦 is aptly more appropriate to mean Placing Gua instead of Lower Gua, as in a game of chess, 下 means to place. By the same token, before one can be Placing Gua 下卦 or making the first move, one has to lift a Gua or called Lifting Gua 兼卦. Analogically speaking, it is like lifting a chess piece and placing it in the appropriate grid thus first to lift a Gua 兼卦 then to place a Gua 下卦.
Both these processes of to lift a Gua 兼卦 then to place a Gua 下卦, by some other terminology means, a star is taking a vector flight with a point of departure and another point of arrival. Collectively, it can also be construed as a number of origination and a number of completion, one Yin and one Yang. Postulations of these sorts may lead to various interpretations and applications.
The term Harboring Star 安星 analogically speaking may means to find a home (palace) for the star to reside, just like a boat that may need to be harbored 安. Collectively Harboring Star 安星 means the natal chart of the Flying Star or the LoShu grid. Basically there are 2 ways to harbor the star, one being the conventional Placing Gua 下卦 while the other unconventional Replacement Gua 替卦.
In a more general terms, Harboring Star 安星 is a mean to identify the Qi Map of a given location. By the same token it is to identify areas of growth, prosperous, weakening, death and killing based on the structure and formation of the land. Such include identifying incoming and outgoing of water.
REPLACEMENT STAR 替卦
This replacement star poem is the VERSION 17 of the earlier write-up on AiXing Jue, Leaning Star Script (detail read HERE)
APPLICATION OF REPLACEMENT STAR 替星用法歸納
THE SECOND SCRIPT
ARRANGING THE DRAGON SCRIPT 排龍訣
ARRANGING DRAGON SITTING FACING - 排龍與山、向
ARRANGING DRAGON ORAL TRANSMISSION METHOD OF ARRANGEMENT 排龍口訣及推排法
ARRANGING THE DRAGON 24 MOUNTAINS YINYANG 排龍二十四山陰陽
SIMPLE ARRANGING THE DRAGON AND WATER MOUTH 淺談排龍與水口
ARRANGING THE DRAGON SCRIPT ORAL TRANSMISSION 排龍訣口訣
ARRANGING DRAGON SCRIPTS APPLICATIONS 排龍訣之應用
THE THIRD SCRIPT
RECEIVING YIN PUSHING SHA SCRIPT 收山出煞訣