DAVIDYEK
  • Home
  • About
    • Professional Registration
    • Qualifications
    • Engagements
    • Private Practice
    • SIF Fellows
  • Practice
    • Our Approach >
      • S:Scale [Artefacts]
      • M:Scale [Building]
      • L:Scale [Urban]
    • Large Projects >
      • Highrises >
        • SSM International School
        • JBio
        • UKIH
        • Vertigo Residency
        • Diorama
        • Resi-Hub
        • SunMed
        • Medini
        • Palmspring Damansara
        • Blink
      • Lowrises >
        • Data Center
        • Garden Homes
        • XIN
        • Albient
        • Hillcourt
    • Small Projects >
      • Rustic Raphsody
      • MCM >
        • Estate House
        • Uniform Annex
        • Kitchen Extension
        • Sixth Form Center
      • Putrajaya Boulevard >
        • LOO
        • BOO
        • DOO
        • 5 Elements Tower
      • Detached Houses >
        • Batu Residence
        • Malaqa Residence
        • ParkCity Residence
        • Sierramas Residence
      • Commercial >
        • Albion Club
        • QuanYuan
        • Nippon Go
    • Interior Designs >
      • Spartan Minimalism
      • Neo Retro
      • Reflective Modern
    • UBBL 1984
    • Newsletter
  • DYA + C
    • Our CV
    • Adjudication >
      • CIPAA Procedure >
        • Scope of CIPAA
    • Arbitration >
      • Appointment of Arbitrator >
        • Terms of Appointment >
          • Preliminary Meeting Agenda
      • PAM Arbitration Procedure
      • Arbitration Costs Breakdowns >
        • Drawdown
      • Award Writing Blog >
        • Expert Evidence in Arbitration
    • Mediation >
      • Appointment of Mediator
      • Mediation Process
      • Skill Set Lev 01 & 02
    • Expert Determination >
      • Expert Rules - PAM
      • Expert Determination Processes
    • Building Inspection Services
    • Courses & Training >
      • Contract Administration
    • ADR & Construction Law
  • Consultant
    • QuanYuan 泉緣 Story
    • Review
    • QuanYuan >
      • Why QuanYuan?
      • Modus Operandi
      • Consultancy Services
    • Our Lineage
    • Workshop >
      • Teacher's Profiles
      • Message
      • SanYuan 01 - Introduction
      • Community
      • Registration of Interest
    • QiMen DunJia 奇門遁甲 >
      • QMDJ - Shifting Palace
    • Audit & Cases >
      • Cases - REA Hotel
      • Cases - Childless Couple
      • Cases - Childless Couple 02
    • Yifengshui
    • Newsletter >
      • MBS FengShui Reinvestigated
    • FAQ
    • E-Store
  • Educator
    • Author I am...
    • Speaking Engagement >
      • International Contract
      • PAM cpd UNLIMITED 2.0
      • Arch Edu Practice Paper - 3Ds Pedagogy
    • Attempting Law School
    • Journey in USM(Arch) >
      • Thesis >
        • Site Analysis
        • Urban Design Approach
        • Sketch Design
        • Model Based Paradigm
        • Technical Studies
      • Studio 01
      • Studio 02
    • Discourse in Studio 6 >
      • Ideation
      • The Production Model >
        • The Actors
        • The Stage
        • Urban Mass
        • The Box
        • The Play
        • The Break
        • The Newsletter
        • The Document
        • The Presentation
    • d:KON 4 >
      • Actors >
        • Chua LiCheng
        • Ng KenHong
        • Sean Tan
        • Peggy Chai
        • Elliotte Teoh
        • Vincent Tow
        • TzeLer
        • Elaine
        • Ng SongChun
        • Carissa Foong
        • Ng WeiMun
        • Ng ChenYin
        • Nicol Ong
        • Adron Liang
        • Ivan Sung
        • Lau HuiJew
      • Acts >
        • Portraiture
        • A Slice of Space Time
        • Box of Installation of Lights
        • Radio Misreading
        • Grid of Destinies
        • Shelter
        • Anatomy of Pain
        • Tensigrity of Ego
        • Of Prisons and Walls
        • Forest of Nails
        • Curtain of Fears
        • Dissolution of the Ego
        • If it's Ain't Broken it's Ain't Worth Mending
        • Flight of Freedom
        • Cross of Complexity and Contradiction
        • interrogation
      • Stage >
        • Soap Box
      • Play
      • Approach
      • Galleria >
        • Martial Gallery
        • Drive Through Gallery
        • Clinique Gallery
        • Cafe Gallery
        • MACC Gallery
        • Haunted Gallery
        • Backpacker Hotel
        • Audio Bookshop Gallery
        • Funeral Parlour
        • Extreme Game Gallery
        • Play Ground
        • Wedding Gallery
        • Meditation Gallery
        • Water Tower
        • Photography Studio
        • Chapel Gallery
    • External Critique >
      • Discourse in Sem 06
      • Discourse in Sem 05 >
        • The Site - KB
        • The Rectilinear
        • The Paired Kidneys
        • The Boat
        • The Decepticon
        • The Curvature
      • EnviroDesign MasterClass 2015
    • Philosophy
    • Codes Regulations & Standards >
      • Building Codes
      • Fire Codes
      • QAQC & Building Inspection
      • Critics
  • Photo Essays
    • Shanghai
    • Siemreap
  • Contact

QINGNANAOYOU - XUANKONG YINYANG DRAGON

7/29/2014

2 Comments

 
Picture
左行为阳,子丑至戌亥。
右行为阴,午巳至申未。 
雌与雄,交会合玄空,
雄与雌,玄空卦内寻。 


Translation (YangGong GuFa): -

Left Turning is Yang, Zi – Chou and Xu – Hai.
Right Turning is Yin, Wu – Si and Shen – Wei.
Female and Male to marry in XuanKong;
Male and Female to find in XuanKong Gua.

Commentary: -

The classics state that 一生二兮二生三,三生萬物是玄關, in the beginning there is nothing, 1 begets 2, 2 begets 3, 3 begets the myriad things. TaiXu 太虛 – is where the great emptiness is. TaiYi 太一 is where the genesis begin. TaiQi 太極 is where duality triumphs and finally TaiXuan 太玄 is where the myriad things manifested. These TaiXu 太虛, TaiYi 太一, TaiQi 太極, TaiXuan 太玄 are classics on their own rights and yet the nature of duality TaiQi 太極 is used to first discern YinYang.

ZhangShu states: -

土者,气之母,有土斯有气。气者,水之母,有气斯有水。

Earth is the mother of Qi, have earth will have Qi. Qi is the mother of water, have Qi will have water. Therefore when Qi moves water moves. When Qi halt, water coagulates. Since earth follows water, incoming dragon is considered Yang and outgoing water mouth is considered Yin. This is known as Male and Female 雄雌.

In order to match the correct male to the correct female, one must be able to first discern where Qi flows. Here it denotes left turning as Yang meaning the rivers flow from left to right crossing bright hall dictates a Yang formation. It must therefore receive a Yang incoming Qi thus conforming Pure Yin, pure Yang  纯阴纯阳 principles – the cornerstone of all SanHe theories.

However the classics state: -

純陽不生,純陰不長。陰陽交錯,萬物生之。

Pure Yang don’t give birth, pure Yin don’t grow. YinYang copulate give birth to the myriad things. The copulation takes place in XuanKong and that can only happen when the real water mouth is formed.  

QNAY furthers elaborate: -

金龙一经一纬义不同,动不动,只待高人施妙用。 

Golden Dragon latitude and longitude although originates from different meanings, moves or not depends on the master to use. It means to say, golden dragons are all the water mouths. When 2 rivers conjoin, it forms a water mouth. When the said water mouth belongs to the same incoming dragon, there is where copulation takes place in XuanKong. The Yang dragon takes clockwise and the Yin water dragon takes anticlockwise and they meet in XuanKong. This is where copulation takes place -陰陽交錯,萬物生之。To discern the male and female, it is where such right/left turning is called XuanKong Gua. Example, Jia Dragon matching its wife Gui being one structure of Zhen (XuanKong Gua) and so forth.

左为阳,子癸至亥仁,
右为阴,午丁至巳丙, 
雌与雄,交会合玄空,
雄与雌,玄空卦内推, 


Translation (DLBZ): -

Left is Yang, Zi – Gui arriving at Hai – Ren,
Right is Yin, Wu – Ding arriving Si – Bing
Female and Male to copulate in XuanKong;
Male and Female XuanKong Gua internal push.

JDH’s Commentaries: -

此節言大五行,
陰陽交媾之例如,
陽在子癸至亥壬則,
陰必在午丁至巳丙矣,
自子至壬自午至丙,
路路有陽路路有陰,
以此為例須人自悟也,非,
拘定左邊為陽,
右邊為陰,
若陰在左邊則陽又在右邊矣,
亦可雲,
左右亦可雲,
東西亦可雲,
前後亦可雲,
南北皆不定之位,
雌雄交媾,非,
有死法,
故曰元空舊註自,
子醜至戌亥左旋,為陽,
自午至申未右旋,為陰,謬矣。

Translation: -

These explains XuanKong Huge Elements,
YinYang copulate is for example;
Yang is from Zi Gui to Hai Ren,
Yin is from Wu Ding to Si Bing,
From Zi arrived at Ren, from Wu arrived at Bing,
Every road has Yang, every road has Yin,
Everyone must understand – Discern!

To establish Left as Yang, right as Yin,
In Left there has Yang and Right there has also (Period Luck),
Left Right also has (Period Luck),
East West Period Luck,
Front Back Period Luck,
North South all cannot determine CiXiong copulation – Discern! 

There is death method,
XuanKong old comments –
Zi Chou arriving Xu Hai – left revolve is Yang,
Wu arriving in Shen Wei – right revolve is Yin,
Absurd!

Commentaries: -

The SanYuan perspectives differ. It does not recognised Left turning as Yang and Right turning as Yin. It attempt to explain that this passage talks about XuanKong Period Luck elements. From Zi to Ren, Wu to Bing comprises of both Yin and Yang period luck. If one takes the river East, West and parent Gua’s YinYang, there will not be any conclusion to establish CiXiong. There is an implication that CiXiong can only be achieved if one understand the direct and indirect spirit principles of Real Yin, real Yang  真阴真阳, but it was not mentioned in this chapter.

Picture
CASE STUDY - SETIAWALK AND WATER WATER EVERYWHERE

Drop by at Setiawalk recently for a FengShui audit. I cannot keep my eye away from the lush landscape with extensive use of water elements. Indeed coincident to the very notion of water-water everywhere. There are more to meet the eye but I would just disclose a little.

The center boulevard is high with F&B and very happening especially during the evening where pubs come alive and the opposite is observed for the shops facing outward, almost starving. The vibrant side is located along the Yin side of the man-made river and the Yang side takes a longer to peak.

Indeed the design of the river has YinYang almost unseen for an untrained eye. Some of the practitioners I brought along were surprised as all they see was water features and lush landscapes. They had missed the real ingredients besides saying, “Ah… the river is meandering, so it is sentimental water”. Those fans of HHC  should use this life example for their trainings based on his book on SanHe water formula. I must admit it is purely land form befitting into the context of both SanHe and SanYuan methodology. Wonder if it is the work of “JayWhy”?

While you don’t have to do much on each of the F&B outlets but to decide on the location of the main door, the office lots were a little disappointing with many vacant lots desperately to be filled up. Upon visiting, the answer is obvious. The design has not taken FengShui into consideration. Maybe the master’s work does not include such.

Picture
POSTSCRIPT - CONTRADICTING YANGGONG METHOD

I had a brief discussion with some YangGong practitioner on this case. He pointed out that the greater formation is wood but the internal formation is metal. Water exiting in Shen being the prosperity palace of metal frame. True enough, the vibrancy of the area could not last.

This shows that both SanHe and SanYuan methods have to conform to YangGong method although someone else may think otherwise.
Picture
BASTARDIZING YANGGONG PRACTITIONER

SanHe FengShui is not necessary Grandmaster Yang Method. One book by HHC actually summarized the method available in the SanHe stream and it is a testimonial that how corrupt the modern day SanHe has became. There is a great distinction between YangGong Fa and SanHe Fa. 

SanHe emphasis on Structure to establish Facing of the tomb or property is not wrong. Water exit determines the Structure and in return establishes the facing of the tomb or property. In this manner, the incoming dragon has been accounted for. The opposite of water exit is the incoming dragon and the opposite of facing is the sitting. Therefore, Dragon determines Sitting and Water determines Facing. It works in pair and it is the basis of SanYuan XuanKong DaGua. Bastardizing SanHe will not make a SanYuan practitioner any greater as they are the different faces of the same coin. 

Qi originated from the 8 locations, not knowing these the vessels are emptied. Mao mountain doesn't mean wood element only. Each mountain has its own 5 elements. Beyond the earth plate, you will find the 72 Earth Penetrating Dragon measuring Earth Qi. SanHe proponent uses it to measure incoming Qi or Dragon. If the 72 dragon element matches the water exit, it is an auspicious site. In theory one has to climb mountains to measure such and it is extremely troublesome to use SanHe for property which is unfortunately a terrible misconception. Bastardizing SanHe on such account will only show how weak a person's understanding of landform. 

Another misconception of the 72 Dragons are the jewel line. It is believed that only 4 specific stems JiaZi are ShengQi. The YiJing proponent comes with its own set of explanation and come to term with Turtle Shell Emptiness while the YangGong proponent explained that such comes from the use of 240 dragons. It is about the balanced of Heaven and Earth Qi. If ever someone said, earth Qi is only for graveyard FengShui and Heaven Qi for properties, it is confirmed, he knew nuts about FengShui. Even SanYuan has its own set of Heaven, Man and Earth Qi considerations.

A person's BaZi is the middle heaven that are able to unlock the effectiveness of the jewel. Most SanHe classics differ in terms of YinYang and the 24 Mountains. Without the oral secret, one cannot decipher the difference between fire pit and jewel. If your YinYang is not right, jewel can turn to fire pits and these are the apparent danger of becoming a half cooked SanHe or SanYuan master. There is really nothing wrong of using BaZi to unlock the potential in FengShui.

The most important thing in Yang Property FengShui is not to tap auspicious air flows. There is no such thing as auspicious air flows. SanHe rides on Qi in where it begins and SanYuan receive Qi in where it ends. Without knowing such, please shut up and go back to school to learn your fundamentals.

In summary there is nothing wrong with SanHe or SanYuan and if you understand both they are all YangGong method. The problem is with the applications. There is really no point of belittling others to make oneself looks great. It is never the spirit of the mysterious school of Chinese metaphysics. 


Picture
FAULTY CURE BY A YANGGONG PRACTITIONER?

One case study in question is about a Factory's FengShui located at the southern bank of the Klang river with its water mouth miles away towards the WestPort. This factory was audited by a Female YangGong trained practitioner apparently from the GanZhou lineage. 

Her findings are consistent to the YangGong's approach. The external formation suits Fire or Wood frame. However, the formation of the factory with its office block takes a metal structure instead. Therefore water exiting Prosperous would see that the factory would not able to prosper in a long run. It correspond well with the finding of YangGong method. 

The practitioner decided to restructure the property by establishing Fire Frame as such is accordance to the owner's BaZi, lacking Fire element. This remedy is also not wrong.

Now since everything is in accordance to YangGong method, why the results are not seen? From a YangGong perspective, there are other factors one in particular, speed in manifestation. It is a subject that hardly been disclosed among the lineage itself. The outsiders had no clue whatsoever. 

It is not compulsory to restructure the property's formation without first establishing the YinYang components. As at the moment, its YinYang is imbalance and no matter what has been done, it takes longer for its positive effect to manifest. There is really no problem with the method. The problem is with the application itself. So, please don't blame the floor of being so hard, if you cannot shit due to constipation - Chinese Proverb.


2 Comments

ZHANGSHU 葬书 - HOW REAL AND PURE IS YOUR YINYANG?

7/28/2014

0 Comments

 
Picture
Pure Yin, pure Yang  纯阴纯阳 is the polarity of Qi – for example, Yang incoming dragon matching Yang structure, facing Yang direction. A continuously uninterrupted flow of Qi of the same polarity - It tells the mechanism of Qi transfer. It has nothing to do with the same polarity cannot give birth to ShengQi 生气. YinYang intercourse is called CiXiong 雌雄 and it is addressed in another concept called real Yin, real Yang 真阴真阳.

Real Yin, real Yang  真阴真阳 is the interval when Yang produces Yin and vice versa. What it really means is when the old Yang die, the new Yin is born, the real Yin and real Yang principle 真阴真阳 and it also reflects how Qi transformed from one body to another. In SanHe this principle was embedded within the structure of birth, prosperous and death formation to receive ShengQi 生气. Another name is 12 ChangShen 十二长生 or LiuQi 六氣.

ZhangShu states: -

葬书

葬者,藏也,乘生气也。
夫阴阳之气,噫而为风,升而为云,降而为雨,行乎地中,谓之生气。
生气行乎地中,发而生乎万物。人受体于父母,本骸得气,遗体受荫。
盖生者,气之聚。

疑结者成骨,死而独留。
故葬者,反气纳骨,以荫所生之道也。
经云:气盛而应,鬼福及人。
是以铜山西崩,钟灵东应。

木华于春,粟芽于室,气行于地中。
其行也,因地之势。
其聚也,因势之止。
古人聚之使不散,行之使有止,故谓之风水。


Translation: -

In Bury is to Store; is to ride on ShengQi.
YinYang Qi is wind, rises as clouds, descends as rain, and moves underground as ShengQi. ShengQi in underground, grows and gives life to the all things. Man, received their form from their parents, his bones receive Qi, when the remains of the parents are endowed. Life is an accumulation of Qi. Qi forms bones and in death only the bones remained. Therefore to bury is to acquire Qi into the bones and it is the path to benefit the living. The classic says: Qi prosperous and responds. Ancestral fortune benefits man.” It is like when the Copper Mountain collapsed in the West, The bronze bell spiritually responded in the East. Wood prospers in the season of spring, Millet sprouts in the room, Qi moves underground. Its movements is the terrain of the ground. Its accumulation is the cessation of terrain. The ancients regarded this as accumulation without dispersion, Qi movement that has halt is FengShui.

Commentary: -

The first tenet prescribed receiving ShengQi is to bury. Second tenet, ShengQi originates from heaven and sips underground liked water. ShengQi moves underground. Chinese believe that the corpus of Jing Qi Shen 精神气. Jing 精 being the corpus is the result of intercourse between male and female – birth of a child. After death, the carcass is buried underground to receive ShengQi. Energy Qi 气 is preserved as ShengQi benefiting its descendant 神. It is such as the collapse of the Bronze Mountain in the West, toll is the Bronze Bell in the East. This imply that the Qi is transform in a continuous flux.


Picture
Musing - What is Qi in FengShui?

Qi originates from the external and be collected to the internal of a house or a grave. There are the external Qi that flows from the Heaven, so called riding with the wind, and an internal Qi that moves in subterranean that so called collects at the boundary of water. When these external meet the internal, it forms what called Xuan Kong. Mysterious subtleties when Yin mixed with Yang to give birth to Sheng Qi.

The external Qi moves along the mountains from a higher plain to a lower plain. Similar to water flows from a higher level to a lower level and these Qi always meet at a point of XuanKong. Liken to a birth, there must first be a womb. This womb as a vihicle of birth is the bright hall or ming tang. In XuanKong methodology, these bright halls again has its qualities defined as ZhenShen or LingShen to factor in the time dimensions in accordance to the Loshu.

For the external, as quoted in translation in the Burial Classic, Qi rides with wind collects at the boundary of water (The YangGong GuFa ZhangShu has this phrase completely taken out). This translation is absolutely misleading. It should be phrase as Qi moves, wind moves. Qi stops water coagulates. The next question, how to collect Qi? This is an art. "Shou Shan Chut Sha" or Set back mountain and extrude the embrace, is one of a method. In other word, first encase wind then channel water. What Qi to collect? Sheng Qi! True indeed for a house, but not a grave! In a grave, we ride Sheng Qi.

Assuming the external has been taken care of, apply the same polarity notion of encase wind then channel water principle into the interior. The Loshu is only there to give one an idea how these Qi moves along the principle of 5 elements. If one take the 5 elements as element per se, one is a "dead fish". It only means 5 transformation and these transformations must occur for it to work! How to be sure, again it is an art.

Now, in the interior reads the walls and voids as mountains and water, we called structure. Apply encase wind then channel water principle, read against the Loshu to determine its qualities, one should understand how Qi moves.

I will keep the notion of storing Qi for another day.
Picture
Musing - Another Doses of QingNanAoYou

ZhangShu noted, to ride ShengQi courses through the earth, expands and give rise to the myriads things. Meaning earth is made up of Yin and Yang Qi that contains 5 elements. 5 elements itself also contained ShengQi. How do one see ShengQi?

ZhangShu states, Earth is the mother of Qi. Qi is the mother of water. Where there is Qi there is water. Therefore Earth has 5 elements, called 5 elements Earth or WuTu. (This verse is only appearing in SanHe versions)

Qing Nan Jing states, heaven depends on form, earth depends on Qi. Heaven Qi has images, Earth Qi has form. The classics also stipulate, HETU which is the principle and LOSHU the application conforming the 8 Gua. 4 cardinals and 4 ordinals.

The cardinals of ZHEN (wood), DUI (metal), LI (fire) and KAN (water) is HETU, principle governing the 4 elemental frames. Matching mountain with water according to these frames form the tenets of Fengshui application – XIAO SHA NA SHUI, blocking and bringing in water. Based on these principles come the followings: -

Kun Ren Yi also referred to its double mountain of Shen Zi and Chen. Wen Qu is water element, thus referring to water frame structure of the 4 major water gates, with birth at Kun Shen, prosperous at Ren Zi and Grave at Yi Chen.

Gen Bing Xin also referred to its double mountain of Yin Wu and Xu. Lian Zheng is fire element, thus referring to fire frame structure of the 4 major water gates, with birth at Gen Yin, prosperous at Bing Wu and Grave at Xin Xu.

Xun Geng Gui also referred to its double mountain of Si You and Chou. Wu Qu is metal element, thus referring to metal frame structure of the 4 major water mouths, with birth at Xun Si, prosperous at Geng You and Grave at Gui Chou.

Qian Jia Ding also referred to its double mountain of Hai, Mao and Wei. Tan Lang is wood element, thus referring to wood frame structure of the 4 major water mouth, with birth at Qian Hai, prosperous at Jia Mao and Grave at Ding Wei.

These verses established the matching water to mountain, in the establishment of the sitting of the XUE. Notice that there is no mention of the Earth frame. Earth being at the center has no direction. When there is Qi there is water, implied that Earth follows the son, which is water. Earth frame takes the water frame

Picture
The Primary and the Secondary of Wind

Riding Wind Will Disperse, Entering the Boundary of Water It Stops”, these are the definition of FengShui, the genesis of the term wind and water from the burial classic. One important keyword is to ride wind and the question is how?

Perhaps reading the same notion as when wind moves, Qi moves, when Qi stops, water coagulates may bring about entirely different meaning… 

First, to receive water, second, is to store wind. These are the two most important aspects of FengShui. Coincidentally this is also the two slices of the same TaiQi. To ride wind, is to first ride Qi. Similar to ride a horse, one has to sit on the horse. The notion of riding could not be possibly be opening the legs and allowing the horse to pass through. By the same token to ride on Qi, the property or grave has to sit on the source of Qi itself. Opening of the door to received Qi is not riding Qi, but of storing Qi. This is one great misconception that had plagued many… 

Receiving Qi is secondary. To receive and to store Qi, the formation must be in placed such as the embraces, Parent Mountain, Table Mountain and bright hall are all coming together. The Chinese term this formation, as the four guardian paying attention. However, this is not necessary or warranted for riding Qi. Imagine, how many places have the four guardian paying attention? Not many indeed and yet within such common places there are still good Qi.

It is true that many well to do personalities do not originate from the so called, premium FengShui vicinity where the guardians are present. Many come from a humble beginning, yet most FengShui theory disseminated to date state otherwise that good FengShui vicinity must only be premium locations where the formations must be present to support the coagulation of Qi. Such is again, another great misconception and should this be the much prized FengShui techniques, the battle would have been half lost.

To store wind is secondary, to ride wind is primary. Yet many modern day advocates propagate the manner of storing wind as primary. The much heard notion of tapping Qi is in fact, storing Qi. To tap Qi, the formation must be present of which the table mountain must be at the correct height, which enable the practitioner to tap his hand against the tip apex of the Table Mountain, in the horizon. This process to tapping is known as to tap Qi. The entire phenomenon of measuring the environment or precisely measuring the embrace and table mountain by means of the human anatomy is to establish the quality of the bright hall. Failure to determine the two slices of the bright hall, any attempt to establish facing to tap Qi will be greatly compromised. 

To ride wind, is to ride internal Qi, to store wind is to receive external Qi. Any property that is build must have a sitting and a facing. The definition of sitting and facing is varied, yet its crust meanings of sitting and facing stem from two more important notions of location and direction. Every entity that is placed on ground has a location as a reference point, datum or in the FengShui term, is a TaiQi spot. This TaiQi spot is independent on its own accord and yet dependent with the rest of the TaiQi spots, to form its centre of the greater TaiQi. In this dependency, the direction comes into play. 

Qi is everywhere and every direction has Qi, similarly every direction has the 5 elements. These 5 elements are not static element. To say East has only wood element is grossly erred. To be précised, East direction refers to the eastern arm of the HeTu has the property of wood and this notion is entirely different from the actual direction of the East which has all the properties of the 5 elements in transition and motion… 

To ride wind is to locate a spot that will receive internal Qi. Such is called establishing the sitting. The term to sit is corresponding to a seat. A seat is a location on the ground extracting the internal Qi and is called a Xue. Because there are 5 elemental internal Qi, there are only 5 types of Xue of wood, water, earth, fire and metal. Riding Qi is to establish these 5 types of Xue. This is primary. 

To store wind is to face towards the external environment to receive external Qi. Such is called the establishing of the facing. The term to face is corresponding to a view. A view is a vector derived from the rebounding Qi of the environment inwards. The key of receiving such external Qi greatly depends on the quality of the bright hall. The interstices of the two slices will marry in the bright hall.

There is a saying that bright hall eliminates killing Qi. This may not be true if the quality of the bright hall is bad, as one may be swallowed by the bright hall. Such constituency of bright hall and the environment is called external structure. Because there are only 4 structures of external rebounding Qi, there are only four structures of wood, water, fire and metal. Storing Qi is to establish the correct facing in corresponding to the spot. This is secondary. 

Because the nature of external Qi is rebounding, it takes time to tap into rebounding Qi and could be greatly weakened. Therefore, it becomes secondary. Otherwise it will be wiser to tap directly into the internal Qi. This is primary. So, next time when one decide to move along SanHe or XuanKong, asked oneself which has the primary and which has not. 

This is FengShui…


Conclusion: -

In SanHe, to accumulate ShengQi without dispersion is to conform to pure Yin, pure Yang 纯阴纯阳 and to ride ShengQi is to bury in where real Yin, real Yang 真阴真阳 is formed in CiXiong 雌雄.
0 Comments
    QUANYUAN ​​
    ​HOMEPAGE
    Quan Yuan

    Promote Your Page Too

    Archives

    January 2022
    August 2020
    July 2020
    February 2020
    November 2019
    October 2019
    September 2019
    July 2019
    December 2018
    September 2018
    July 2018
    June 2018
    November 2017
    June 2017
    May 2017
    April 2017
    March 2017
    February 2017
    January 2017
    December 2016
    November 2016
    October 2016
    September 2016
    August 2016
    July 2016
    June 2016
    May 2016
    April 2016
    March 2016
    February 2016
    January 2016
    December 2015
    November 2015
    October 2015
    September 2015
    August 2015
    July 2015
    June 2015
    May 2015
    March 2015
    February 2015
    December 2014
    November 2014
    October 2014
    September 2014
    August 2014
    July 2014


    Categories

    All
    120 Dragon 百二龍
    13 Ming Tomb 明十三陵
    240 LongFenJing ​二百四+龍分
    24 Mountains 二十四山
    3 Yi 三易
    60 TouDiLong 60透地龍
    60 YinSo Long 60盈縮龍
    6Jia 六甲
    72 ChuanShanLong 72穿山龍
    7 Star Robbery Method 七星打劫法
    8 Killing Yellow Stream 八煞黄泉
    AiXing 挨星
    AnJing FuDuan 暗金伏斷
    AnJing FuDuan 暗金伏斷
    AnXingJue 安星訣
    BaChunGuaGongWei 八純卦宮位
    BaGongWei 八宮位
    BaGongXiaGua 八宮下卦
    BaGua FenJing 八卦分金
    BaGua LoShu Fa 八卦洛書法
    BaGua ZhiZhu 八卦为主
    BaiJiShan 白雞山
    BaSha HuangQuan 八煞黃泉
    BaZhai MingJing 八宅明镜
    BaZhai MingJing - 八宅明镜
    BaZiFEngShui 八字風 水
    BaZi XingGe FenLei Fa 八字性格分类法
    BaZi 八字
    BaZi 八字
    BenGua 本卦
    Betraying Master 欺師滅祖
    BianYi 變易
    BiJian 比肩
    BoSha AiXing Fa 撥砂挨星法
    Butcher's Grave
    BuYi 不易
    CaiGuanYin 财官印
    CanShi JiYe 蠶食幾葉
    Case File
    ChanShi JiYe 蠶食幾葉
    ChaoYaoHuanXiang 抽爻換象
    ChenMen 城門
    Chen WenGuo 陳文國
    ChuanShan DouDi 穿山透地
    ChuanShan TouDi 穿山透地
    ChuGua 出卦
    ChunNiu Tu 春牛图
    ChunNiu Tu 春牛图
    ChunYin ChunYang 纯阴纯阳
    CiTang 祠堂
    CiXiong 雌雄
    Community Service
    CuiGuanPian 催官篇
    DaoFaBenWuDuo 道法本無多
    DaSanYuan 大三元
    DaZhuan 大傳
    DiLi BianDanZi 地理鉛彈子
    DiLi BianZhen 地理辨證
    DiLi BianZhen 地理辨證
    DiLi XinFa 地理新法
    DiMu Jing 地母经
    DingChaiGui 丁財貴
    DingGua JingKou Jue 定卦金口诀
    DingJu 定局
    DingYaoFa 定爻法
    DingYou 丁酉
    DiTianSui 滴天髄
    DongDa GuoNian 冬大如年
    DongJing 動靜
    DongZhi 冬至
    Dragon God 龍神
    DunXingTaiBaiZhiShu 遁行太白之書
    Earth Xue 土穴
    Eliminate Sha Acquire Water 消砂纳水
    ErShi Ba TianXing 廿八天星
    ErShi BaXiu 廿八宿
    ErSi TianXing Fa 廿四天星法
    ErYuan BaYun 二元八運
    ErYuan 二元
    Eulogy Of QiuGong 丘公頌
    FanFu Yin 反伏吟
    FanGong Shui 反弓水
    FanGua ZhiZhu 反卦为主
    FangYuan Tu 方圓圖
    Fang ZhiZhu 房为主
    FaQiXiang 法器象
    FeiGong 飛宫
    FeiXing 玄空飛星
    FeiXing 玄空飛星
    FeiYao Fa 飛爻法
    FeiYaoFa 飛爻法
    FenChaShui 分叉水
    FenFangFa 分房法
    FengShui Canopy 天篷
    FengShui LunLui Zhuan 風水輪流轉
    Feng 风
    Fibonacci
    FuGuiZhaiTian 富贵在天
    FuHuiTang 福惠堂
    FuMu ChaiGuan 子父財官
    FuMuSanBanGuaWei 父母三盤卦位
    FuTou DingGong Fa 符頭定宮法
    FuTou TuiGua 符頭推卦
    FuTou 符頭
    FuXing ShuiFa 輔星水法
    Genting FengShui 云顶風水大師
    GePan 格盘
    Golden Section
    Gong 工
    Guan Clan Ancestral Shrine 管氏宗祠
    GuanLu 官祿
    GuanWang Zhi Qi 关旺之气
    GuaYun 卦運
    GuBenLungShuiJing 古本龙水经
    GuiChang 归藏
    GuiRen 貴人
    GuiShiNi 鬼食泥
    GuLau FangFa 古老方法
    GuoLuYinYang 过路阴阳
    GuSanFen 古三墳
    GuSanShi 古三式
    HanLong Jing 撼龍經
    Heavenly Heart 天心
    Heavenly Secret Important Saying 天機要語
    HeHua 合化
    HeShang Shi 和尚師
    HeTu 河圖
    HongFan 洪範
    HongLuan JiaZi 紅鸞甲子
    HongLuan ShuiFa 紅鸞水法
    HouTian Pai Yang Zhai 后天派阳宅
    HouTian Pai 后天派
    HuangDiZhaiJing 黃帝宅經
    Huang ShiGong 黄石公
    HuangShi Gong 黄石公
    HuaSha NaShui 消砂納水
    HuaShuo QiFen LiuSan Fen 话说七分留三分
    HunTian NaJia 渾天納甲
    HunTian 渾天
    HunYi 渾儀
    Hu ShunShen 胡舜申
    JeRi DeXin 幾日得辛
    Jiang JingChuan 江靜川
    Jiang TaiGong 姜太公
    JianYi 簡易
    Jiao RenShan 焦仁山
    JieChai 劫财
    JieQi 節氣
    Jie 界
    JiGu BaChan 幾姑把蠶
    JiGu BaChan 幾姑把蠶
    JiLong JuShui 幾龍治水
    JiLong JuShui 幾龍治水
    JinFangBaGongGua 京房八宮卦
    JingKou Jue 金口訣
    JingLong 金龍
    JingQiShen 精气神
    JingShui ReYue 金水日月
    JingShuoYuGuan 金锁玉关
    Jing 静
    JiNiu GengDi 幾牛耕地
    JiNiu GengDi 幾牛耕地
    JiRe DeXin 幾日得辛
    JiuXingGongWei 九星宮位
    JiuXing ZhiZhu 九星为主
    KongWang 空亡
    Lai BuYi 賴布衣
    LianShan 連山
    Lian TianChe 量天尺
    LianZhuSanBanGua 连珠三板挂
    Liao JunQing 廖均卿
    LiChun 立春
    LiChun 立春
    Li DingXin DaShi 李定信大师
    LienShan 连山
    Li HuShan 李胡山
    Li KuiMing 李居明
    Lin ChunXiong 林春雄
    LingShen 零神
    LingTou Shui 淋头水
    Lin JingBao 林金寶
    LinLangXian 林浪仙
    LinPanXian 林半仙
    LiPan 立盘
    LiQiXiang 理氣象
    LiuFa 六法
    LiuJia FeiGong 六甲飛宫
    LiuJiangDong Grave 劉江東墓
    LiuJia Xun FuTou 六甲旬符頭
    Liu ZhuFen 刘祖坟
    LiXiang ShouShui 立向收水
    LiXue 理學
    LongMen BaDa Ju 龍門八大局
    LongShan XiangShui 龍山向水
    LoShu Ding LingZhen 雒書定零正
    LouChaiSha 漏財煞
    Lou 楼
    LuanTou WuZheng LiQi WuJia 峦头无假理气无真
    LuanTou YinYang 巒頭陰陽
    LuanTou Zhong BuLi LiQi LiQi Zhong BuLi LuanTou 巒頭中不離理氣理氣中不離巒頭
    LuanTou 峦头
    LuGuo YinYang 過路陰陽
    LuMa GuiRen Fa 祿馬貴人法
    LuMa GuiRen 祿馬貴人
    LungGuo Tang 龍過堂
    LungShanXiangShui 龍山向水
    LuoChen 罗城
    LuoPan 罗盘
    LuoShu 洛書
    MangNian 盲年
    MangShen 芒神
    MianXiang 面相
    NaJia 纳甲
    NaYin 納音
    NeiDan Pan 內丹盤
    NeiGua 內外
    NiQiu Shi 泥鳅師
    Nobleman 貴人方
    Ode To Flying Stars 飞星赋
    Ode To Mysticism 玄机赋
    PaiLongJue 排龍訣
    PanXian 盤線
    Peach Blossom Sha 桃花杀
    Perfect Storm
    PianChai 偏财
    PianYing 偏印
    PiMa 驛馬
    PoJun DaiJia 破军带甲
    Politician 高官之墓
    Provocateur
    PurpleWhite 紫白诀
    PurpleWhite 紫白诀
    QianKunGuoBao 乾坤國寶
    QianKunGuoBao 乾坤國寶
    QiLiuFa 氣流法
    QiLiu 氣流
    QiMenDunJia 奇门遁甲
    QiMen SanShi 奇門三式
    Qing Eastern Tombs 清东陵
    QingHua 清华
    QingLong LunJian 青龍論劍
    QingNanAoYou 青囊奥语
    QingNanAoYou 青囊奥语
    QingNanJing 青囊经
    QingNanJing 青囊经
    QingNanXu 青囊序
    QingNanXu 青囊序
    QiongTong BaoJian 穷通宝鉴
    QiSha 七杀
    QiTu 气图
    Qiu YanHan 丘延翰
    QiZhenBaFa 奇針八法
    QiZheng SiYou 七政四餘
    Qi 氣
    Recieving Yin Pushing Sha 收山出煞
    Recieving Yin Pushing Sha 收山出煞
    RenPanGongGua 人盤宮卦
    RenPan ZhongZhen BoSha Fa 人盤中針撥砂法
    RenZhongXue 人中
    RiZhu ChuangRuo 日主强弱
    RuDiYan 入地眼
    RuDiYan 入地眼
    RuDiYan 入地眼
    SanBan Gua 三般卦
    SanBuZuo 三不做
    SanCai 三才
    SanChai 三才
    SanFa 山法
    SanFen SanHe 三分三合
    SanFen 三 墳
    SanHe Si Da ShuiKou 三合四大水口
    SanHe 三合
    SanHe 三合
    SanJi LiuXiu 三吉六秀
    SanLiau 三僚
    SanQi SiJi 三奇四吉
    SanQi 三奇
    SanShan LiuXian 三山六线
    SanShen ShuiFa 三神水法
    Sanyang ShuiFa 三阳水法
    SanYi 三易
    SanYuan DaGua 三元大卦
    SanYuanDaGua 三元大卦要訣
    SanYuan FeiXing 三元飛星
    SanYuanFeiXing 三元飞星
    SanYuan JiuXing Fa 三元九星法
    SanYuan JiuYun 三元九運
    SanYuan 三元
    SanYuan 三元
    Seat Of Wealth 财富座位
    Secrets Of XuanKong 玄空秘旨
    ShangGuan 伤官
    ShanGuan RenDing ShuiGuan Cai 山管人丁水管財
    ShanHaiJing 山海经
    Shao WeiHua 邵偉華
    ShaoYung 邵雍
    ShaWang Zhi Qi 杀旺之气
    ShengJi 生基
    ShengSiYouMing 生死有命
    ShengWangJue 生旺賦
    ShengWang Zi Qi 生旺之气
    ShenSha FengShui 神煞風水
    ShenSha 神殺
    Shen 神
    ShiDao TianXing Fa 十道天心法
    ShiDao 十道
    ShiEr YuanShuai XinLei 十二元帥行雷
    ShiEr YuanShuai XinLei 十二元帥行雷
    ShiFa 筮法
    ShiMuXian 蝨母仙
    ShiShen 十神
    ShiShen 十神
    ShiShen 食神
    ShiTuiLun 十推论
    ShiYe 十翼
    ShouShanChuShaJue 收山出煞訣
    ShuiFa 水法
    ShuiLongJing 水龍經
    ShuoGua Zhuan 說卦傳
    ShuQiXiang 数氣象
    SiHeYuan 四合院
    SiJi 四吉
    SiMa DuoTuo 司馬頭陀
    SiMa DuoTuo 司馬頭陀
    SiMa ShuiFa 司马水法
    SiQi SanJi 四吉三奇
    Sitting Mountain 8 Killing 坐山八煞
    Sitting Mountain Robbery Killing 坐山劫煞
    SiXiang YinYang Fa 四象陰陽法
    SiXiang 四象
    SiZhu BaZhi 四柱八字
    SiZhu BaZhi 四柱八字
    Star Casino Sydney
    SuiDe He 歲德合
    SuiDe 歲德
    TaiJi 太极
    TaiSui 太歲
    TaiXing 替星
    TaiYi ShengShui 太一生水
    ThongShu 通勝
    ThongShu 通勝
    Three Heavens 三天
    TianDi FanYin 天地反吟
    TianDiRen 天地人
    TianFang DiYuan 天方地圆
    TianFu DiFan 天伏地反
    TianRen HeYi 天人合一
    TianXing Pai 天星派
    TianXing 天心
    TianXing 天星
    TianXing 天星
    TianYi GuiRen 天乙貴人
    TianYi 天乙
    TianYuan DiFang 天圆地方
    TianYuJing 天玉经
    TianYuJing 天玉经
    TiXing 替星
    TiYung 體用
    TuanCi 彖辭
    TungShu 通書
    Tycoon Gou 郭台銘
    Tycoon Grave 富翁墓
    Tycoon Li 李富翁
    Vein 个字下脉
    Viva
    Walking The Dragon 尋龍點穴
    WangTingZhi 王亭之
    WanNianLi 萬年曆
    Water Shed Xue 水脱穴
    WenYan Zhuan 文言傳
    Word Word Gold 字字金
    WuChang Pai 無常派
    WuGui YunChai 五鬼運財
    WuMing Xue 无名穴
    WuXian 五线
    WuXin RenGe 五型人格
    WuXin ShengKe Fa 五行生克法
    WuXin ShengKe Fa 五行生克法
    WuXin 五行
    WuYin 五音
    XianDai SanYao 現代三要
    XiangCi 象辭
    XiangXue 象學
    XiaoXuanKong 小玄空
    XiCi Zhuan 系辭
    XingJia 形家
    XingShiPai 形勢派
    Xing ZhiZhu 星为主
    XKDG KouJue 玄空大卦口訣
    XuanDao 妙道
    XuanGuan ThongQiaoGe 玄關同竅歌
    XuanGuan 玄關
    XuanKong 4 Classics 玄空四经
    XuanKong DaGua 玄空大卦
    XuanKong DaGua 玄空大卦
    XuanKong Da WuXing 玄空大五行
    XuanKong Gua 玄空卦
    XuanKongSanJue 玄空三诀
    XuanKong 玄空
    XuanKong 玄空
    XuanZe QuiZhen 选择求真
    XueXinFu 雪心赋
    XuGua Zhuan 序卦傳
    XunShou 旬首
    Yang CangHua 陽藏華
    YangGong GuFa 楊公古法
    YangGong XinFa 杨公新法
    YangZhengLiaoLiu 楊曾廖劉
    YiGua ChunQing 一卦純清
    YiJing 易經
    YiLiSu 一粒粟
    Yin FengShui 阴风水
    YingYangLuoShu 阴阳洛書
    YinYang Dun 陰陽遁
    YinYang Fa 陰陽法
    YinYang GuiRen 陰陽貴人
    YinYang Jie 陰陽
    YinYang 阴阳
    YiWu YiTaiJi 一物一太極
    YiZhuan 易傳
    YiZhuDingJiXiong 一柱定吉凶
    YongShen 用神
    YongShen 用神
    YuanGua 元卦
    YuCheJing 玉尺经
    YuCheJing 玉尺经
    YuCheTang 玉尺堂
    YuHanJing 玉函经
    YungYaoFa 用爻法
    ZaGua Zhuan 雜卦傳
    ZangShu 葬书
    ZangShu 葬书
    ZhanBu ZhanBu 占卜
    Zhang BiShi 張弼士
    Zhang JiuYi 張九儀
    Zhang QingYuan 张清渊
    ZhangShu 葬書
    ZhangYan Fa 長眼法
    ZhaoShen 照神
    ZhenCai 正财
    Zheng JinGui 郑景贵
    Zheng QingFeng 鄭清風
    ZhenGuan 偏财
    ZhenPianXiang 正表向
    ZhenShen 正神
    ZhenYing 正印
    ZhenYinZhenYang 真阴真阳
    ZhongHuo ErXing Fa 中火二星​法
    ZhongQi 中氣
    ZhongTianGua 中天卦
    ZhongTianGua 中天卦
    ZhouShengXiangSi 座生向死
    ZhouSiXiangSheng 座死向生
    Zhou WenWang 周文王
    ZhouYi 周易
    ZhouZhongPai 中州派
    ZhuXianPai 祖先牌
    ZiBai Jue 紫白賦
    ZiFu ChaiGuan 子父財官
    ZiMen 紫門
    ZiPing BaZi 子平八字
    ZiPing BaZi 子平八字
    ZiXing 紫星
    天寶秘訣 TianBao MiJue
    滴滴金 Drop Drop Gold
    金口訣 JingKouJue


    RSS Feed


Powered by Create your own unique website with customizable templates.
  • Home
  • About
    • Professional Registration
    • Qualifications
    • Engagements
    • Private Practice
    • SIF Fellows
  • Practice
    • Our Approach >
      • S:Scale [Artefacts]
      • M:Scale [Building]
      • L:Scale [Urban]
    • Large Projects >
      • Highrises >
        • SSM International School
        • JBio
        • UKIH
        • Vertigo Residency
        • Diorama
        • Resi-Hub
        • SunMed
        • Medini
        • Palmspring Damansara
        • Blink
      • Lowrises >
        • Data Center
        • Garden Homes
        • XIN
        • Albient
        • Hillcourt
    • Small Projects >
      • Rustic Raphsody
      • MCM >
        • Estate House
        • Uniform Annex
        • Kitchen Extension
        • Sixth Form Center
      • Putrajaya Boulevard >
        • LOO
        • BOO
        • DOO
        • 5 Elements Tower
      • Detached Houses >
        • Batu Residence
        • Malaqa Residence
        • ParkCity Residence
        • Sierramas Residence
      • Commercial >
        • Albion Club
        • QuanYuan
        • Nippon Go
    • Interior Designs >
      • Spartan Minimalism
      • Neo Retro
      • Reflective Modern
    • UBBL 1984
    • Newsletter
  • DYA + C
    • Our CV
    • Adjudication >
      • CIPAA Procedure >
        • Scope of CIPAA
    • Arbitration >
      • Appointment of Arbitrator >
        • Terms of Appointment >
          • Preliminary Meeting Agenda
      • PAM Arbitration Procedure
      • Arbitration Costs Breakdowns >
        • Drawdown
      • Award Writing Blog >
        • Expert Evidence in Arbitration
    • Mediation >
      • Appointment of Mediator
      • Mediation Process
      • Skill Set Lev 01 & 02
    • Expert Determination >
      • Expert Rules - PAM
      • Expert Determination Processes
    • Building Inspection Services
    • Courses & Training >
      • Contract Administration
    • ADR & Construction Law
  • Consultant
    • QuanYuan 泉緣 Story
    • Review
    • QuanYuan >
      • Why QuanYuan?
      • Modus Operandi
      • Consultancy Services
    • Our Lineage
    • Workshop >
      • Teacher's Profiles
      • Message
      • SanYuan 01 - Introduction
      • Community
      • Registration of Interest
    • QiMen DunJia 奇門遁甲 >
      • QMDJ - Shifting Palace
    • Audit & Cases >
      • Cases - REA Hotel
      • Cases - Childless Couple
      • Cases - Childless Couple 02
    • Yifengshui
    • Newsletter >
      • MBS FengShui Reinvestigated
    • FAQ
    • E-Store
  • Educator
    • Author I am...
    • Speaking Engagement >
      • International Contract
      • PAM cpd UNLIMITED 2.0
      • Arch Edu Practice Paper - 3Ds Pedagogy
    • Attempting Law School
    • Journey in USM(Arch) >
      • Thesis >
        • Site Analysis
        • Urban Design Approach
        • Sketch Design
        • Model Based Paradigm
        • Technical Studies
      • Studio 01
      • Studio 02
    • Discourse in Studio 6 >
      • Ideation
      • The Production Model >
        • The Actors
        • The Stage
        • Urban Mass
        • The Box
        • The Play
        • The Break
        • The Newsletter
        • The Document
        • The Presentation
    • d:KON 4 >
      • Actors >
        • Chua LiCheng
        • Ng KenHong
        • Sean Tan
        • Peggy Chai
        • Elliotte Teoh
        • Vincent Tow
        • TzeLer
        • Elaine
        • Ng SongChun
        • Carissa Foong
        • Ng WeiMun
        • Ng ChenYin
        • Nicol Ong
        • Adron Liang
        • Ivan Sung
        • Lau HuiJew
      • Acts >
        • Portraiture
        • A Slice of Space Time
        • Box of Installation of Lights
        • Radio Misreading
        • Grid of Destinies
        • Shelter
        • Anatomy of Pain
        • Tensigrity of Ego
        • Of Prisons and Walls
        • Forest of Nails
        • Curtain of Fears
        • Dissolution of the Ego
        • If it's Ain't Broken it's Ain't Worth Mending
        • Flight of Freedom
        • Cross of Complexity and Contradiction
        • interrogation
      • Stage >
        • Soap Box
      • Play
      • Approach
      • Galleria >
        • Martial Gallery
        • Drive Through Gallery
        • Clinique Gallery
        • Cafe Gallery
        • MACC Gallery
        • Haunted Gallery
        • Backpacker Hotel
        • Audio Bookshop Gallery
        • Funeral Parlour
        • Extreme Game Gallery
        • Play Ground
        • Wedding Gallery
        • Meditation Gallery
        • Water Tower
        • Photography Studio
        • Chapel Gallery
    • External Critique >
      • Discourse in Sem 06
      • Discourse in Sem 05 >
        • The Site - KB
        • The Rectilinear
        • The Paired Kidneys
        • The Boat
        • The Decepticon
        • The Curvature
      • EnviroDesign MasterClass 2015
    • Philosophy
    • Codes Regulations & Standards >
      • Building Codes
      • Fire Codes
      • QAQC & Building Inspection
      • Critics
  • Photo Essays
    • Shanghai
    • Siemreap
  • Contact