DAVIDYEK
  • Home
  • About
    • Professional Registration
    • Qualifications
    • Engagements
    • Private Practice
    • SIF Fellows
  • Practice
    • Our Approach >
      • S:Scale [Artefacts]
      • M:Scale [Building]
      • L:Scale [Urban]
    • Large Projects >
      • Highrises >
        • SSM International School
        • JBio
        • UKIH
        • Vertigo Residency
        • Diorama
        • Resi-Hub
        • SunMed
        • Medini
        • Palmspring Damansara
        • Blink
      • Lowrises >
        • Data Center
        • Garden Homes
        • XIN
        • Albient
        • Hillcourt
    • Small Projects >
      • Rustic Raphsody
      • MCM >
        • Estate House
        • Uniform Annex
        • Kitchen Extension
        • Sixth Form Center
      • Putrajaya Boulevard >
        • LOO
        • BOO
        • DOO
        • 5 Elements Tower
      • Detached Houses >
        • Batu Residence
        • Malaqa Residence
        • ParkCity Residence
        • Sierramas Residence
      • Commercial >
        • Albion Club
        • QuanYuan
        • Nippon Go
    • Interior Designs >
      • Spartan Minimalism
      • Neo Retro
      • Reflective Modern
    • UBBL 1984
    • Newsletter
  • DYA + C
    • Our CV
    • Adjudication >
      • CIPAA Procedure >
        • Scope of CIPAA
    • Arbitration >
      • Appointment of Arbitrator >
        • Terms of Appointment >
          • Preliminary Meeting Agenda
      • PAM Arbitration Procedure
      • Arbitration Costs Breakdowns >
        • Drawdown
      • Award Writing Blog >
        • Expert Evidence in Arbitration
    • Mediation >
      • Appointment of Mediator
      • Mediation Process
      • Skill Set Lev 01 & 02
    • Expert Determination >
      • Expert Rules - PAM
      • Expert Determination Processes
    • Building Inspection Services
    • Courses & Training >
      • Contract Administration
    • ADR & Construction Law
  • Consultant
    • QuanYuan 泉緣 Story
    • Review
    • QuanYuan >
      • Why QuanYuan?
      • Modus Operandi
      • Consultancy Services
    • Our Lineage
    • Workshop >
      • Teacher's Profiles
      • Message
      • SanYuan 01 - Introduction
      • Community
      • Registration of Interest
    • QiMen DunJia 奇門遁甲 >
      • QMDJ - Shifting Palace
    • Audit & Cases >
      • Cases - REA Hotel
      • Cases - Childless Couple
      • Cases - Childless Couple 02
    • Yifengshui
    • Newsletter >
      • MBS FengShui Reinvestigated
    • FAQ
    • E-Store
  • Educator
    • Author I am...
    • Speaking Engagement >
      • International Contract
      • PAM cpd UNLIMITED 2.0
      • Arch Edu Practice Paper - 3Ds Pedagogy
    • Attempting Law School
    • Journey in USM(Arch) >
      • Thesis >
        • Site Analysis
        • Urban Design Approach
        • Sketch Design
        • Model Based Paradigm
        • Technical Studies
      • Studio 01
      • Studio 02
    • Discourse in Studio 6 >
      • Ideation
      • The Production Model >
        • The Actors
        • The Stage
        • Urban Mass
        • The Box
        • The Play
        • The Break
        • The Newsletter
        • The Document
        • The Presentation
    • d:KON 4 >
      • Actors >
        • Chua LiCheng
        • Ng KenHong
        • Sean Tan
        • Peggy Chai
        • Elliotte Teoh
        • Vincent Tow
        • TzeLer
        • Elaine
        • Ng SongChun
        • Carissa Foong
        • Ng WeiMun
        • Ng ChenYin
        • Nicol Ong
        • Adron Liang
        • Ivan Sung
        • Lau HuiJew
      • Acts >
        • Portraiture
        • A Slice of Space Time
        • Box of Installation of Lights
        • Radio Misreading
        • Grid of Destinies
        • Shelter
        • Anatomy of Pain
        • Tensigrity of Ego
        • Of Prisons and Walls
        • Forest of Nails
        • Curtain of Fears
        • Dissolution of the Ego
        • If it's Ain't Broken it's Ain't Worth Mending
        • Flight of Freedom
        • Cross of Complexity and Contradiction
        • interrogation
      • Stage >
        • Soap Box
      • Play
      • Approach
      • Galleria >
        • Martial Gallery
        • Drive Through Gallery
        • Clinique Gallery
        • Cafe Gallery
        • MACC Gallery
        • Haunted Gallery
        • Backpacker Hotel
        • Audio Bookshop Gallery
        • Funeral Parlour
        • Extreme Game Gallery
        • Play Ground
        • Wedding Gallery
        • Meditation Gallery
        • Water Tower
        • Photography Studio
        • Chapel Gallery
    • External Critique >
      • Discourse in Sem 06
      • Discourse in Sem 05 >
        • The Site - KB
        • The Rectilinear
        • The Paired Kidneys
        • The Boat
        • The Decepticon
        • The Curvature
      • EnviroDesign MasterClass 2015
    • Philosophy
    • Codes Regulations & Standards >
      • Building Codes
      • Fire Codes
      • QAQC & Building Inspection
      • Critics
  • Photo Essays
    • Shanghai
    • Siemreap
  • Contact

一粒粟 - THE STORY OF ONE GRAIN MILLET

11/10/2016

1 Comment

 
Picture

《一粒粟》

阳落有窝,阴落有脊。
入首星辰,从顶而立。
阳来阴受,阴来阳作。
上有三分,下有三合。
个字三丫,要知端的。
大小八字,贴身蝉翼。
股明股暗,有缓有急。
上耸明肩,下开暗翼。
球檐虬髯,人中难识。
纯阴纯阳,天乙太乙。
界水虾须,微茫交揖。
左右金鱼,罗纹土缩。
葬法要明,浅深有则。
脉不离棺,棺不离脉。
合脚临头,淋头割脚。
有合不淋,有淋不合。
就湿眠干,眠干就湿。
牝牡交承,雌雄相食。
放送玄微,迎接莫失。
后倚前亲,正求架折。
倒杖放棺,在师口诀。
拂耳拂顶,须分顺逆。
枕对之功,难如接木。
急则用饶,饶则用急。
高要藏风,低不脱脉。
弃死挨生,要知来历。
不离分寸,乘其嘘吸。
点穴安坟,如医针灸。
明师登山,一一能解。
得师真传,了然在目。
风水自成,不坏骨殖。
木根不生,蛇蚁不入。

One Grain Millet  《一粒粟》 is a rare classics on Land Form FengShui, claimed to have been the true transmission of YangGong. Why it is titled as One Grain Millet is everyone guesses but as what we understood a single grain of millet could well be the pinhole size of a meridian spot and it is that difficult to come to find one. There is a saying, it takes 3 years to walk the dragon 三年寻龙 and 10 years to dot the meridian spot 十年点穴, see HERE for details. So this classic is supposed to be telling you how to locate a meridian spot. Some classify this as a summary of HanLong Jing 《撼龍經》, another classics that looks like a dictionary for land form. Collectively they are the integral part of the study of LongMen BaDa Ju / QianKun GuoBao 龍門八大局 / 乾坤國寶.

Another question is who wrote this? Could it be YangGong? Here is the clue,
纯阴纯阳,天乙太乙。Pure Yin and pure Yang, TianYi and TaiYi. Yet, this sentence tells you that the author is using the Human Plate (RenPan) to measure embrace because these 2 stars TianYi and TaiYi are the celestial pole where the RenPan is aligned to. Therefore it cannot be the work of YangGong.

In this short classics, you will term with strange jargons such as: -
  1. RuShou 入首
  2. SanFen SanHe 三分三合
  3. ShouShan ChuSha 收山出煞
  4. Ge 字个
  5. SanYa 三丫
  6. ChanYi  蝉翼
  7. QiuYan 球檐虬髯
  8. QiuRan 虬髯
  9. RenZhong 人中
  10. ChunYin ChunYang 纯阴纯阳
  11. Xia Xu 虾须
  12. JingYu 金鱼
  13. LuoWen 罗纹
  14. Zhen 枕

And Human body parts as reference such as: -
  1. Er 耳
  2. LingTou 淋头
  3. GeJiao 割脚

No explanation offered and such is to be taken as oral transmission by a true master. Without a throughout understanding of these terms, any form of translation as found in the internet may not necessary reflect the actual meanings of the text such as described as the followings: -
阳落有窝,阴落有脊。“Yang seated on usefulness, Yin seated on thriving.”, as translated by someone. It means differently if it is to be translated as – Yang drops (vein) have meridian (sunken), Yin drops (vein) have meridian (protruding). The second translation described the types of the meridian spot.

入首星辰,从顶而立。“To protect the auspicious dragon, start from the stems next on the branches” could have been translated as – Incoming Dragon 入首 star forms 星辰 from the peak here establish. The meanings absolutely changes as the second translation tell you to identify the incoming dragon by observing the peak.

阳来阴受,阴来阳作。“When Yin received Yang it holds power, when Yang received Yin it rise and act” could have been translated as – Yang incoming, Yin embrace. Yin incoming, Yang adorn. Embrace and adorn means almost the same thing. Yet the connotation changes compared to the earlier translation. The second translation simple means – when Qi flows from the Yang direction, collect it by embracing the Yin. This is a typical concept of Reclining Mountain Extending Sha, ShouShan ChuSha 收山出煞.

上有三分,下有三合。“The stems must be differentiate by combine, control, compliment and the branches comes with three combine”, could have been translated as – On top there come 3 division, downward come 3 combination. Notice the totally different ideas convey by different translation? The second translation explain the idea of 3 divide 3 combinations, SanFen SanHe 三分三合.

个字三丫,要知端的。“Every branch comes with its own energy, one must understand what is termed auspicious and inauspicious”, could have been translated verbatim as – the Chinese character Ge 个 and three Ya丫 meaning fork, must know to observe this. The character Ge 个 is pictorially telling you the drop of vein from the peak and the character Ya丫is pictorially telling you how the rivers join together to form what is probably known as the water mouth. These have nothing to do with the first translation.

大小八字,贴身蝉翼。“The formation of our environment whether it is big or small will follow and stick closely to us just like the wings of the cicada”, could have been translated as – Big or small the Chinese character Eight 八 close to the body embrace liked a Cicada’s wings 蝉翼. This passage tells about the embrace protecting the Xue and could come in multi layers huge or small.

股明股暗,有缓有急。“The leader can be upright, the leader can be despicable, some are patient and some are impatient”, could have been translated as – Partially exposed partially concealed, have sentimental have rapid. The first translation totally off tangent as what has it got to do with a leader? Partially exposed partially concealed denotes how these embraces are, with channel the rivers to be flowing sentimentally or rapid.

上耸明肩,下开暗翼。“The stems rise and look upright, the branches operate in secret”, could have been translated as – Up rise exposed over the shoulder, down opens concealed. Continue from the explanation of the embrace, the human figure is used to measure the correct height and width of the embrace and in this instance the shoulder height.

球檐虬髯,人中难识。“Is this the dragon or a chameleon, it will be difficult to differentiate for the untrained eye”, could have been translated as – QiuYan (spherical eves) and QiuRan (young dragon’s whiskers) the RenZhong 人中 (meridian spot) difficult to know. QiuYan and QiuRan are all metaphorical jargon of land form FengShui to denote a certain landform characteristic. These are liked the marker to denote where the veins and meridians are. RenZhong 人中 may have been translated as within the masses, but in this case it may also mean RenZhong 人中 Xue – the acupuncture meridian of the Philtrum. In face reading, this point denotes the meridian spot of landform FengShui.

纯阴纯阳,天乙太乙。“Pure Yin and pure Yang, useful god or noble god”, could have been translated as – Pure Yin and pure Yang, TianYi and TaiYi. This single scrip only say Pure Yin and pure Yang, TianYi and TaiYi but did not go further. What has Pure Yin and pure Yang 纯阴纯阳 have to do with land form? This is a top secret, cannot reveal. What has TianYi and TaiYi have to do with land form? Yet, this sentence tells you that the author is using the Human Plate (RenPan) to measure embrace because these 2 stars TianYi and TaiYi are the celestial pole where the RenPan is aligned to. Therefore it cannot be the work of YangGong.

界水虾须,微茫交揖。“In the boundary of the vast ocean the dragon awaits, if the transformation can take place it will be boundless”, could have been translated as – Boundary water liked a prawn’s whiskers, trifling boundless must cross bow. The book of burial state, Qi rides the wind and scatters, but is retained when boundary by water, can this boundary of water relates to ZhangShu? Prawn’s whiskers are another form of land form jargon denoting how the vein drops.

左右金鱼,罗纹土缩。“To search for the golden fish, the legendary earth must process”, could have been translated as – Left right have Goldfish. LuoWen 罗纹 has earth tighten. Luo 罗 refers to spiral Wen 纹 refers to pattern. So this landform jargon means spiral pattern within where earth are tighten at its rim to form another landform jargon – Goldfish 金鱼, a shape of the water bodies.

We shall not continue to discuss about how it should have been translated, instead herewith are our attempt to translate the remaining parts of the classics:-

《一粒粟》

葬法要明,浅深有则。
脉不离棺,棺不离脉。
合脚临头,淋头割脚。
有合不淋,有淋不合。
就湿眠干,眠干就湿。
牝牡交承,雌雄相食。
放送玄微,迎接莫失。
后倚前亲,正求架折。
倒杖放棺,在师口诀。
拂耳拂顶,须分顺逆。
枕对之功,难如接木。
急则用饶,饶则用急。
高要藏风,低不脱脉。
弃死挨生,要知来历。
不离分寸,乘其嘘吸。
点穴安坟,如医针灸。
明师登山,一一能解。
得师真传,了然在目。
风水自成,不坏骨殖。
木根不生,蛇蚁不入。

ONE GRAIN MILLET - TRANSLATION

Method of Burial must be clear, shallow and depth must have.
Vein must not leave coffin, coffin must not leave vein.
Combine feet befallen head, drench head cut feet.
Have combine not drench, have drench not combine.
Only wet without dry, without dry then wet.
Male female copulate, CiXiong mutually feed.
Release away Mysterious Subtle-ness  invite the strange.
Back recline frontal kinship, directly seeking or dwindling.
Invert Rod place coffin, here master's oral secret.
Brush ear brush peak, finely divide forward reverse.
Pillow correctly this work, difficult as if to receive the wood (coffin).
Rapid use sentimental, sentimental use rapid.
High must store wind, low don't shed vein.
Abandon death in order to grow, demand to know the calendric.
Don't bother appropriateness, ride such exhale and inhale.
Dotting meridian set tomb, as if like acupuncture.
Enlightened master hiked up mountain, one by one able to explain.
Having the master's true transmission, to understand clearly comes to the eye.
FengShui surely accomplished, not destroying skeletal remains.
Wood root not grow, snake ant not enter.

1 Comment

李富翁陰風水的故事   - TYCOON LI’S YIN FENGSHUI STORY

10/28/2016

0 Comments

 
Picture

DISCLAIMER NOTES

In this series we are exploring Yang abode (modify to be a Yin abode instead) of Tycoons in Bolehland. We will not mention who they are by names but roughly you are able to guess the rest. Many of the photos had been blurred on purpose even with the locations of these lavish mansions befitting the Emperors, will not be shown for reason of privacy and safety. These articles only reflect on some studies we had made, just liked with Yin FengShui. We knew who are his FengShui masters but we shall not disclose here. This article is written with a heavy intonation of the application of FengShui as an art and not the person or the Yang abode itself. It does not in any way whatsoever reflect the FengShui analysis of the place in totality but a mere fragments sufficient enough to spur provocative discourse among the learned practitioners and connoisseurs as well. If you find this writing disturbing, please refrain from reading. The blogger reserve the rights to change any parts of this writing accordingly, if there is any factual error, as and may be required, from time to time.

Continue from Tycoon Li’s FengShui story, we are proud to also tell a tale of his Yin FengShui story… As you can see, designing an ancestral shrine is also part of our forte. We designed his ancestral shrine based on a set of FengShui criteria sets by his FengShui master that we shall not disclose. We did the architectural part of it notwithstanding the fact that our fee was not paid in full, just liked how it was claimed that Donald Trump did not pay his Architect as well. The good thing is as what people say, since this ancestral shrine is occupied by his entire clan, his ancestral now, owe us big time… A debt that his entire ancestral needs to pay! That we will leave it to the karmic debt collectors to do their work…

ANCESTRAL SHRINE 祠堂

The Wikipedia define an ancestral shrine, hall or temple 祠堂, also called lineage temple, is a Chinese temple dedicated to deified ancestors and progenitors of surname lineages or families in the Chinese traditional religion. Ancestral temples are closely linked to Confucian culture and the emphasis that it places on filial piety. A common central feature of the ancestral temples are the ancestral tablets that embody the ancestral spirits. The ancestral tablets are typically arranged by seniority of the ancestors. Altars and other ritual objects such as incense burners are also common fixtures. Ancestors and gods can also be represented by statues. The temples are used for collective rituals and festivals in honor of the ancestors but also for other family- and community-related functions such as weddings and funerals. Sometimes, they serve wider community functions such as meetings and local elections.

Unlike the traditional type that you may find in China, as those that was designed and FengShui(ed) by Yang YunSong in GanZhou, this one is a rather modern interpretation. Gone are the intricate ornaments in lieu of just post and beam concrete and mortar construction. However, the spatial planning still remain as a Si HeYuan 四合院 configuration very similar to Tycoon Li’s house. It has only a single courtyard not conforming to the technique of Three Gods Water Method 三神水法. This is an up most important consideration dealing with the FengShui design of the internal water courses within the ancestral shrine. It is almost similar to how the water management within the internal burial chamber. If you Google Three Gods Water Method 三神水法, you will come to term with many interpretations…

In this Bolehland case, the Ancestral Temple was built in a pretext of an up sized Mansion within the housing neighborhood. So, planning and building permit is very difficult to get if it was done so as an Ancestral Temple per se. This is called, Creative Advocacy.

Picture

THREE GODS WATER METHOD 三神水法

According to one HongKong practitioner Master Jiang JingChuan 江靜川, through his travelogue to SanLiau 三僚 investigating Guan Clan Ancestral Shrine 管氏宗祠, he has demonstrated with impeccable Cantonese explanation, the application of a technique called Three Gods Water Method 三神水法 (3GWM). The 3 Gods referred to as Big God 大神, Middle God 中神 and Small God 小神. These God terminology referred to the point of water exiting. Therefore you have the term – Small God exiting Middle God 小神出中神 then Middle God exiting Big God 中神出大神. These 2 terms are basically referring to the correlation of water flow between the inner court 内堂 to the outer court 外堂. In the common Si HeYuan 四合院 configuration, the two inner court 内堂 and the outer court 外堂 punctuated the interior spaces into three approaches that are called Jin 進. The ancestral tablets are usually located at the 3rd approaches. The common configuration shall be Small God exiting Middle God 小神出中神 then Middle God exiting Big God 中神出大神.

However, in this instances of Guan Clan Ancestral Shrine 管氏宗祠, because it was measured siting Xun 巽 facing Qian 乾, according to the Three Gods Water Method 三神水法 (3GWM), it states that it shall be Big God Facing 大神向. Therefore water shall be discharged from the Big God exiting Middle God 大神出中神, through the water release valve within the inner court 内堂 located at Ren 壬 (中神) connect to the outer court 外堂. From this outer court 外堂, water shall be discharged from the Middle God exiting Small God 中神出小神 and the water release valve within the outer court 外堂 located at Shen 申 (小神). From Shen 申 water shall be discharged through the Main Door location at Qian 乾, connecting to the external land form. This is termed Water from the 4 directions returned to its source 四水回归. As to why these Qian 乾 (大神) Ren 壬 (中神) 申 (小神) are interconnected, it shall be for us to know and you to find out.

The late Li DingXin, the grandmaster of YangGong GuFa FengShui has this to say…
排水防潮的方法,是在洞穴葬或天葬的墓底四周建筑小排水沟,把沟通到外面的小水池内,用三神排(放)水法而排去。在沟内必须填满细沙,以防五害侵入。这种排(放)水的方法,杨筠松风水术是没有的,但是它的优点很多,除防五害侵入外主要可起墓内生气的调节作用。
Draining and prevention of water method is from the Xue burial 4 sides to build small scupper ditch. Connect this ditch to the outer discharge. Use this method as prescribed in the Three Gods Water Method 三神水法 to purge water. The ditch must be filled up with sands. To prevent from the 5 types of harms from penetration. This kind of water arrangement doesn’t seems to be found in YangGong’s method. However, its benefits has aplenty. To prevent from the 5 types of harms from penetration mainly to enhance ShengQi of the tomb through its refined adjustment.

THE LANDFORM

This ancestral shrine is located at a good landform embraced from all sides facing a table mountain. Water exiting throughout Si 巳, Wu 午 and Wei 未.   Landform wise is above average. However, a turn of event happened that Tycoon Li and his FengShui master were in sour term due largely to unpaid FengShui fees that he owed the FengShui master. Not only did he owed his architect, he also owed his FengShui master, big time. As a result, he is of the opinion that since his house has been FengShui(ed) it is only logical to set up the same structure as his house! Meaning you don’t have to pay twice for the same FengShui formation. What a brilliant idea! As a result this ancestral shrine sits fire structure. Exactly the same brief given to his architect to design this very ancestral shrine. How the FengShui of this shrine is everyone guesses… You let us know.

IN CONCLUSION

Not every Tycoon conduct their business fairly and generously. Notwithstanding their shrewd natures, would you want to be the FengShui master for the Tycoon just to earn some quick bucks? Why not? Just give him some shitty stuff and you are laughing your way to the banks.
 
I read somewhere that you have no right to muddle in someone else karma or else you will suffer the consequences. FengShui masters are not exclusive to this cardinal rule. This sorts of warnings has been lambasted by many people who feels that they know the working mechanism of karma better than others. Some go to profess some kind of method called – the equilibrium exchange that simply means you sin and you neutralize your sin by doing something noble. Very interesting to find all kinds of people in this industry…  Speaking about karmic retribution, especially for the FengShui master, why do you see most of the famous one ended up doing spiritual healing instead, with many ended up to adorn the monk’s robe or rather pretend to be adorning the monk’s robe?
 
Years ago, we did highlight that there are the following outcomes for FengShui practitioners. What are these outcomes?

  1. Your client benefits from your advice yet you suffer the bad consequences of giving such advice. That means to say, your skill is good, but your ethic of discharging your services are questionable…
  2. Your client suffered from your advice yet you suffer the bad consequences of giving such advice. That means to say, your skill is rotten to the core and your ethic of discharging your services are not only questionable, but is as rotten as your skill. These are Conmasters…
  3. Your client suffered from your advice but you benefited out of the consequences of giving such advice. That means to say, your skill may be questionable but your ethic of discharging your services is commendable. This is in line with the Heaven’s will. Some will say that, your bad karma has yet to be ripen… just liked our beloved Bolehland MO- Numero Uno…
  4. Your client benefits from your advice and you benefited out of the consequences of giving such advice. That means to say, your skill is highly powerful and your ethic of discharging your services is excellent. You have mastered the art of equilibrium exchange to the highest degree!
 
Of which category do you falls into? No worry, you only need to answer sincerely to yourself. Not us… and stop pretending one knows the inner working of karma. For details check this term called Acinteyya - Acintita Sutta, Anguttara Nikaya 4.77.
0 Comments

李富翁風水的故事   - TYCOON LI’S FENGSHUI STORY

10/24/2016

1 Comment

 
Picture

DISCLAIMER NOTES

In this series we are exploring Yang abode of Tycoons in Bolehland. We will not mention who they are by names but roughly you are able to guess the rest. Many of the photos had been blurred on purpose even with the locations of these lavish mansions befitting the Emperors, will not be shown for reason of privacy and safety. These articles only reflect on some studies we had made, just liked with Yin FengShui. We knew who are his FengShui masters but we shall not disclose here. This article is written with a heavy intonation of the application of FengShui as an art and not the person or the Yang abode itself. It does not in any way whatsoever reflect the FengShui analysis of the place in totality but a mere fragments sufficient enough to spur provocative discourse among the learned practitioners and connoisseurs as well. If you find this writing disturbing, please refrain from reading. The blogger reserve the rights to change any parts of this writing accordingly, if there is any factual error, as and may be required, from time to time.

HongKong FeiXing Master Li Kui-Ming (李居明) needs very little introduction. He hits some sense in most of our FengShui discourse especially so to the layman. One statement that he made was that – do you know why most of the poor remains poor and the rich remains rich? If you ask the poor to shift out from their current home due to bad FengShui, they most likely not able to do it. Therefore they are poor. But, when you ask the rich to move out of the current house for a better FengShui house somewhere, they would do it without giving a second thought! Therefore, they are rich! So, really don’t even think of doing FengShui or even engaging FengShui master for an advice, if you are poor. Don’t even think of spending your hard earned money in courses liked – Millionaire mind through FengShui or Getting rich with FengShui if you are poor! It simply cannot make magic for the poor… but for the rich and about to be wealthy, yes indeed – Good FengShui complements you because you will make the changes for the sake of getting richer… well, not necessary greedier. That include the magic techniques of ShengJi and the other bullshit stuffs.

Master Li has also a secret to share that, if you desperately needs to know what a good FengShui for the rich, go and live with the rich people… Their luck cannot be that bad after all and even how bad their FengShui could turn out to be, they can never be worse off than those poor people living in poor and low cost neighborhood. By the same token, even if you need to pay hefty rent to stay in a “dog house” within the rich neighborhood, do so and that is his secret of getting rich and famous, as can be witnessed today. Better, don’t even think of becoming a FengShui master if you cannot afford to live lavishly, as your lifestyles portray your competency of your skills. This is the epitome of what they called, charity begins at home… prosper thyself before others. Because of this paradigm that sounds so true, some Bolehland Conmasters take the opportunity to bring students to measure old graves, especially old rich man’s graves including their homes, believing it is Great FengShui!

Well, Master Li is not alone in such thinking. In some time ago when YCH is still kicking, the junior FengShui celebrity also did that with a company of his good buddies. See, what they are today, with the exception of a few that couldn’t made it up to the bar! Super rich with abundant opportunities to “advice” property developers… Imagine, how poor could their clientele be? With rich client instead of the poor, they always have good track records to showcase that their FengShui works! That is because, If you ask the poor to shift out from their current home, they most likely not able to do it. Therefore they are poor. But, when you ask the rich to move out of the current house for a better FengShui house somewhere, they would do it without giving a second thought! Therefore, they are rich! Therefore, it is really an idiot to think that Yang YunSong is also known as the savior of the poor. This is blasphemy! He should be known as the savior of the rich! By the way, the junior FengShui celebrity proud and arrogantly reflect such of his masters that they are a bunch of theorists who can quote anything offhand but when come to use FengShui to prosper themselves, see they still live like wage earners… Assuming this logic is correct, let’s look at a case in Bolehland…

Picture

TYCOON LI’S FENGSHUI STORY

(First published in Yifengshui 20092012)

Tycoon Li has an illustrated lifestyle. He does not need any of the royal decorum such as Dato, Tansri, Tun and so forth. He employs people with such decorum to run his work. He has not even an O-level education. His life is liked a modern day emperor which will put any of the “cow-gate” minister into envy. Strangely, he is also a strong believer of FengShui. He spent a fortune to engage a master from the mainland. Besides traveling in first class, Tycoon Li displayed his baroque connections with mayors and other politically connected good friends, to have their pictures taken while the master's stay in Bolehland.
 
[Postscript: Tycoon Li is known of the following characteristics. He owns 2 public listed companies and counting. He was declared a bankrupt but a very hardworking chap. He loves sports and luxury cars, by same token, he has many mistresses to his collection. He has about 21 children, many of them are grownups professionals and still counting... He shuns limelight and only work behind the veil. He is quite a notorious businessman of all trades and he preferred the term, shrewd businessman instead.]
 
Of all his advises, one became prominent. He said, Tycoon Li would only be prosperous if his empire is managed by people with surname Li. As a result, he uses his family to run his business. But Tycoon, liked him, needs proxies to do his camouflage in Bolehland. True blood to the idea of One Bolehland, he has Indian lawyers and Malay administrators to run his business, but none of them are Li. This is a problem. One good friend of his suggested to him, well that is not the problem at all. All is needed is to use their Chinese Name instead. So, the next morning, we see Dato MangGa Li Singh and Dato Li-zal Abihla clocking-in. 
 
The moral of the story is name selections beside BaZi, plays a significant role in one’s destiny. Why not change your name and see how true it is? Besides that let’s also look at his background…

THE WEALTHY CHINAMAN’S HOUSE

(First published in Yifengshui 18042010)
 
Lately was invited to audit a typical wealthy China man's House. It was designed with the SanFen SanHe 三分三合 principles in mind and a SiHeYuan house 四合院 typology [for detail read davidyek.com/critics/traditional-chinese-architecture-modular-house. It has an internal court opens up to the sky. Where would the centre of the house be? The internal courts will open up to another 3 sided entrances with three different doors. How would a Flying Star chart be? The more challenging piece is the water flow which are so diverse and subtle. So, is the location of the water via its aquarium in relation to the house proper? 
 
The external pose some physically challenging Sha with the green dragon holdings sword 青龍論劍, as above the telecommunication structure with water falls features at the bottom, located at GenYin double mountain. House sitting Fire Structure with incoming at Yin and water exiting at Wu. That is significantly enough to tell the story as to why this wealthy China man has unresolved issues, the moment he shifted to this very new house, inclusive of the demised of his beloved mother whom was a healthy woman at the age of 80+ prior of moving into this mansion, in the month of Xu, year of Zi.
 
On a XuanKong level, although it is still considered a new house, there are apparently structural cracks at the skylights directly at the main door at the Qian sector. What does it means? If divination is done at the month of Chen, what does it portends? We will reserve more for the Private Blog, meanwhile as pointer, all of the sudden, we were told that XuanKong FlyingStar, of which the method expounded by Shen JuReng is a flawed methodology based on the following conclusions: -

  1. Master Sheng JuReng pedigree is questionable as he is not from an authentic XuanKong Lineage.
  2. It is only based on Master Sheng's own interpretations.
  3. Sheng's method only based on the sitting and facing, thus 2 dimensional.
  4. In order for such to work, it must conforms to the land form.
  5. Sheng's hypothesis only works within the 4 structures.

Even with these above hypothesis, it is cumbersome to even superimpose the FlyingStar chart into the house plan of a huge mansion with multiple rooms and doors. Thus, it is a shame to learn that in the West, such methodology is still taught as a valid FengShui methodology as one dilemma is when we apply FlyingStar as an application, we forgot that, as with all valid system of FengShui, it has a body as principle to start with, but where is the body for FlyingStar?
 
[Postscript: Coincidentally, Tycoon Li’s mansion was designed to fulfil the SiHeYuan house 四合院 typology. In contrast of popular believe a SiHeYuan house 四合院 typology may not necessary means good FengShui… and we have another case as in Bolehland, read davidyek.com/yifengshui/-the-death-and-emptiness-of-zhang-bishis-mansion]

Picture

CONCLUSION

  1. According to HongKong FeiXing Master Li Kui-Ming (李居明), If you ask the poor to shift out from their current home due to bad FengShui, they most likely not able to do it. Therefore they are poor. But, when you ask the rich to move out of the current house for a better FengShui house somewhere, they would do it without giving a second thought! Therefore, they are rich! So, really don’t even think of doing FengShui or even engaging FengShui master for an advice, if you are poor.
  2. According to HongKong FeiXing Master Li Kui-Ming (李居明), if you desperately needs to know what a good FengShui for the rich, go and live with the rich people…
  3. Based on these hypotheses, let’s look at this Tycoon Li’s house FengShui: -
    1. It was designed with the SanFen SanHe 三分三合 principles in mind and a SiHeYuan house 四合院 typology. Caveat, SiHeYuan house 四合院 typology may not necessary means good FengShui…
    2. House sitting Fire Structure with incoming at Yin and water exiting at Wu. Is this a favourable FengShui formation?
    3. Green dragon holdings sword, at GenYin double mountain – who will be harmed and when?
  4. Based on this case study, we also understand the limitation of Shen’s WuChang Pai Flying Star system, as a huge mansion has many doors and many rooms. How to squeeze in the 9 grid? One question remain – when we apply FlyingStar as an application, we forgot that, as with all valid system of FengShui, it has a body as principle to start with, but where is the body for FlyingStar?
  5. The answer is within these Purple White Scrip 紫白賦 verses: -
局為體、
山為用。
山為體、
運為用。
體用一元、
天地動靜。
Structure becomes Body
Sitting becomes application.
Sitting becomes Body,
Period becomes application.
Body application becomes one,
complies to universal notion of motion and stillness.
6.  Unfortunately, this master from China that Tycoon Li has engaged is a Shen's WuChang Pai Flying Star practitioner.

1 Comment
    QUANYUAN ​​
    ​HOMEPAGE
    Quan Yuan

    Promote Your Page Too

    Archives

    January 2022
    August 2020
    July 2020
    February 2020
    November 2019
    October 2019
    September 2019
    July 2019
    December 2018
    September 2018
    July 2018
    June 2018
    November 2017
    June 2017
    May 2017
    April 2017
    March 2017
    February 2017
    January 2017
    December 2016
    November 2016
    October 2016
    September 2016
    August 2016
    July 2016
    June 2016
    May 2016
    April 2016
    March 2016
    February 2016
    January 2016
    December 2015
    November 2015
    October 2015
    September 2015
    August 2015
    July 2015
    June 2015
    May 2015
    March 2015
    February 2015
    December 2014
    November 2014
    October 2014
    September 2014
    August 2014
    July 2014


    Categories

    All
    120 Dragon 百二龍
    13 Ming Tomb 明十三陵
    240 LongFenJing ​二百四+龍分
    24 Mountains 二十四山
    3 Yi 三易
    60 TouDiLong 60透地龍
    60 YinSo Long 60盈縮龍
    6Jia 六甲
    72 ChuanShanLong 72穿山龍
    7 Star Robbery Method 七星打劫法
    8 Killing Yellow Stream 八煞黄泉
    AiXing 挨星
    AnJing FuDuan 暗金伏斷
    AnJing FuDuan 暗金伏斷
    AnXingJue 安星訣
    BaChunGuaGongWei 八純卦宮位
    BaGongWei 八宮位
    BaGongXiaGua 八宮下卦
    BaGua FenJing 八卦分金
    BaGua LoShu Fa 八卦洛書法
    BaGua ZhiZhu 八卦为主
    BaiJiShan 白雞山
    BaSha HuangQuan 八煞黃泉
    BaZhai MingJing 八宅明镜
    BaZhai MingJing - 八宅明镜
    BaZiFEngShui 八字風 水
    BaZi XingGe FenLei Fa 八字性格分类法
    BaZi 八字
    BaZi 八字
    BenGua 本卦
    Betraying Master 欺師滅祖
    BianYi 變易
    BiJian 比肩
    BoSha AiXing Fa 撥砂挨星法
    Butcher's Grave
    BuYi 不易
    CaiGuanYin 财官印
    CanShi JiYe 蠶食幾葉
    Case File
    ChanShi JiYe 蠶食幾葉
    ChaoYaoHuanXiang 抽爻換象
    ChenMen 城門
    Chen WenGuo 陳文國
    ChuanShan DouDi 穿山透地
    ChuanShan TouDi 穿山透地
    ChuGua 出卦
    ChunNiu Tu 春牛图
    ChunNiu Tu 春牛图
    ChunYin ChunYang 纯阴纯阳
    CiTang 祠堂
    CiXiong 雌雄
    Community Service
    CuiGuanPian 催官篇
    DaoFaBenWuDuo 道法本無多
    DaSanYuan 大三元
    DaZhuan 大傳
    DiLi BianDanZi 地理鉛彈子
    DiLi BianZhen 地理辨證
    DiLi BianZhen 地理辨證
    DiLi XinFa 地理新法
    DiMu Jing 地母经
    DingChaiGui 丁財貴
    DingGua JingKou Jue 定卦金口诀
    DingJu 定局
    DingYaoFa 定爻法
    DingYou 丁酉
    DiTianSui 滴天髄
    DongDa GuoNian 冬大如年
    DongJing 動靜
    DongZhi 冬至
    Dragon God 龍神
    DunXingTaiBaiZhiShu 遁行太白之書
    Earth Xue 土穴
    Eliminate Sha Acquire Water 消砂纳水
    ErShi Ba TianXing 廿八天星
    ErShi BaXiu 廿八宿
    ErSi TianXing Fa 廿四天星法
    ErYuan BaYun 二元八運
    ErYuan 二元
    Eulogy Of QiuGong 丘公頌
    FanFu Yin 反伏吟
    FanGong Shui 反弓水
    FanGua ZhiZhu 反卦为主
    FangYuan Tu 方圓圖
    Fang ZhiZhu 房为主
    FaQiXiang 法器象
    FeiGong 飛宫
    FeiXing 玄空飛星
    FeiXing 玄空飛星
    FeiYao Fa 飛爻法
    FeiYaoFa 飛爻法
    FenChaShui 分叉水
    FenFangFa 分房法
    FengShui Canopy 天篷
    FengShui LunLui Zhuan 風水輪流轉
    Feng 风
    Fibonacci
    FuGuiZhaiTian 富贵在天
    FuHuiTang 福惠堂
    FuMu ChaiGuan 子父財官
    FuMuSanBanGuaWei 父母三盤卦位
    FuTou DingGong Fa 符頭定宮法
    FuTou TuiGua 符頭推卦
    FuTou 符頭
    FuXing ShuiFa 輔星水法
    Genting FengShui 云顶風水大師
    GePan 格盘
    Golden Section
    Gong 工
    Guan Clan Ancestral Shrine 管氏宗祠
    GuanLu 官祿
    GuanWang Zhi Qi 关旺之气
    GuaYun 卦運
    GuBenLungShuiJing 古本龙水经
    GuiChang 归藏
    GuiRen 貴人
    GuiShiNi 鬼食泥
    GuLau FangFa 古老方法
    GuoLuYinYang 过路阴阳
    GuSanFen 古三墳
    GuSanShi 古三式
    HanLong Jing 撼龍經
    Heavenly Heart 天心
    Heavenly Secret Important Saying 天機要語
    HeHua 合化
    HeShang Shi 和尚師
    HeTu 河圖
    HongFan 洪範
    HongLuan JiaZi 紅鸞甲子
    HongLuan ShuiFa 紅鸞水法
    HouTian Pai Yang Zhai 后天派阳宅
    HouTian Pai 后天派
    HuangDiZhaiJing 黃帝宅經
    Huang ShiGong 黄石公
    HuangShi Gong 黄石公
    HuaSha NaShui 消砂納水
    HuaShuo QiFen LiuSan Fen 话说七分留三分
    HunTian NaJia 渾天納甲
    HunTian 渾天
    HunYi 渾儀
    Hu ShunShen 胡舜申
    JeRi DeXin 幾日得辛
    Jiang JingChuan 江靜川
    Jiang TaiGong 姜太公
    JianYi 簡易
    Jiao RenShan 焦仁山
    JieChai 劫财
    JieQi 節氣
    Jie 界
    JiGu BaChan 幾姑把蠶
    JiGu BaChan 幾姑把蠶
    JiLong JuShui 幾龍治水
    JiLong JuShui 幾龍治水
    JinFangBaGongGua 京房八宮卦
    JingKou Jue 金口訣
    JingLong 金龍
    JingQiShen 精气神
    JingShui ReYue 金水日月
    JingShuoYuGuan 金锁玉关
    Jing 静
    JiNiu GengDi 幾牛耕地
    JiNiu GengDi 幾牛耕地
    JiRe DeXin 幾日得辛
    JiuXingGongWei 九星宮位
    JiuXing ZhiZhu 九星为主
    KongWang 空亡
    Lai BuYi 賴布衣
    LianShan 連山
    Lian TianChe 量天尺
    LianZhuSanBanGua 连珠三板挂
    Liao JunQing 廖均卿
    LiChun 立春
    LiChun 立春
    Li DingXin DaShi 李定信大师
    LienShan 连山
    Li HuShan 李胡山
    Li KuiMing 李居明
    Lin ChunXiong 林春雄
    LingShen 零神
    LingTou Shui 淋头水
    Lin JingBao 林金寶
    LinLangXian 林浪仙
    LinPanXian 林半仙
    LiPan 立盘
    LiQiXiang 理氣象
    LiuFa 六法
    LiuJia FeiGong 六甲飛宫
    LiuJiangDong Grave 劉江東墓
    LiuJia Xun FuTou 六甲旬符頭
    Liu ZhuFen 刘祖坟
    LiXiang ShouShui 立向收水
    LiXue 理學
    LongMen BaDa Ju 龍門八大局
    LongShan XiangShui 龍山向水
    LoShu Ding LingZhen 雒書定零正
    LouChaiSha 漏財煞
    Lou 楼
    LuanTou WuZheng LiQi WuJia 峦头无假理气无真
    LuanTou YinYang 巒頭陰陽
    LuanTou Zhong BuLi LiQi LiQi Zhong BuLi LuanTou 巒頭中不離理氣理氣中不離巒頭
    LuanTou 峦头
    LuGuo YinYang 過路陰陽
    LuMa GuiRen Fa 祿馬貴人法
    LuMa GuiRen 祿馬貴人
    LungGuo Tang 龍過堂
    LungShanXiangShui 龍山向水
    LuoChen 罗城
    LuoPan 罗盘
    LuoShu 洛書
    MangNian 盲年
    MangShen 芒神
    MianXiang 面相
    NaJia 纳甲
    NaYin 納音
    NeiDan Pan 內丹盤
    NeiGua 內外
    NiQiu Shi 泥鳅師
    Nobleman 貴人方
    Ode To Flying Stars 飞星赋
    Ode To Mysticism 玄机赋
    PaiLongJue 排龍訣
    PanXian 盤線
    Peach Blossom Sha 桃花杀
    Perfect Storm
    PianChai 偏财
    PianYing 偏印
    PiMa 驛馬
    PoJun DaiJia 破军带甲
    Politician 高官之墓
    Provocateur
    PurpleWhite 紫白诀
    PurpleWhite 紫白诀
    QianKunGuoBao 乾坤國寶
    QianKunGuoBao 乾坤國寶
    QiLiuFa 氣流法
    QiLiu 氣流
    QiMenDunJia 奇门遁甲
    QiMen SanShi 奇門三式
    Qing Eastern Tombs 清东陵
    QingHua 清华
    QingLong LunJian 青龍論劍
    QingNanAoYou 青囊奥语
    QingNanAoYou 青囊奥语
    QingNanJing 青囊经
    QingNanJing 青囊经
    QingNanXu 青囊序
    QingNanXu 青囊序
    QiongTong BaoJian 穷通宝鉴
    QiSha 七杀
    QiTu 气图
    Qiu YanHan 丘延翰
    QiZhenBaFa 奇針八法
    QiZheng SiYou 七政四餘
    Qi 氣
    Recieving Yin Pushing Sha 收山出煞
    Recieving Yin Pushing Sha 收山出煞
    RenPanGongGua 人盤宮卦
    RenPan ZhongZhen BoSha Fa 人盤中針撥砂法
    RenZhongXue 人中
    RiZhu ChuangRuo 日主强弱
    RuDiYan 入地眼
    RuDiYan 入地眼
    RuDiYan 入地眼
    SanBan Gua 三般卦
    SanBuZuo 三不做
    SanCai 三才
    SanChai 三才
    SanFa 山法
    SanFen SanHe 三分三合
    SanFen 三 墳
    SanHe Si Da ShuiKou 三合四大水口
    SanHe 三合
    SanHe 三合
    SanJi LiuXiu 三吉六秀
    SanLiau 三僚
    SanQi SiJi 三奇四吉
    SanQi 三奇
    SanShan LiuXian 三山六线
    SanShen ShuiFa 三神水法
    Sanyang ShuiFa 三阳水法
    SanYi 三易
    SanYuan DaGua 三元大卦
    SanYuanDaGua 三元大卦要訣
    SanYuan FeiXing 三元飛星
    SanYuanFeiXing 三元飞星
    SanYuan JiuXing Fa 三元九星法
    SanYuan JiuYun 三元九運
    SanYuan 三元
    SanYuan 三元
    Seat Of Wealth 财富座位
    Secrets Of XuanKong 玄空秘旨
    ShangGuan 伤官
    ShanGuan RenDing ShuiGuan Cai 山管人丁水管財
    ShanHaiJing 山海经
    Shao WeiHua 邵偉華
    ShaoYung 邵雍
    ShaWang Zhi Qi 杀旺之气
    ShengJi 生基
    ShengSiYouMing 生死有命
    ShengWangJue 生旺賦
    ShengWang Zi Qi 生旺之气
    ShenSha FengShui 神煞風水
    ShenSha 神殺
    Shen 神
    ShiDao TianXing Fa 十道天心法
    ShiDao 十道
    ShiEr YuanShuai XinLei 十二元帥行雷
    ShiEr YuanShuai XinLei 十二元帥行雷
    ShiFa 筮法
    ShiMuXian 蝨母仙
    ShiShen 十神
    ShiShen 十神
    ShiShen 食神
    ShiTuiLun 十推论
    ShiYe 十翼
    ShouShanChuShaJue 收山出煞訣
    ShuiFa 水法
    ShuiLongJing 水龍經
    ShuoGua Zhuan 說卦傳
    ShuQiXiang 数氣象
    SiHeYuan 四合院
    SiJi 四吉
    SiMa DuoTuo 司馬頭陀
    SiMa DuoTuo 司馬頭陀
    SiMa ShuiFa 司马水法
    SiQi SanJi 四吉三奇
    Sitting Mountain 8 Killing 坐山八煞
    Sitting Mountain Robbery Killing 坐山劫煞
    SiXiang YinYang Fa 四象陰陽法
    SiXiang 四象
    SiZhu BaZhi 四柱八字
    SiZhu BaZhi 四柱八字
    Star Casino Sydney
    SuiDe He 歲德合
    SuiDe 歲德
    TaiJi 太极
    TaiSui 太歲
    TaiXing 替星
    TaiYi ShengShui 太一生水
    ThongShu 通勝
    ThongShu 通勝
    Three Heavens 三天
    TianDi FanYin 天地反吟
    TianDiRen 天地人
    TianFang DiYuan 天方地圆
    TianFu DiFan 天伏地反
    TianRen HeYi 天人合一
    TianXing Pai 天星派
    TianXing 天心
    TianXing 天星
    TianXing 天星
    TianYi GuiRen 天乙貴人
    TianYi 天乙
    TianYuan DiFang 天圆地方
    TianYuJing 天玉经
    TianYuJing 天玉经
    TiXing 替星
    TiYung 體用
    TuanCi 彖辭
    TungShu 通書
    Tycoon Gou 郭台銘
    Tycoon Grave 富翁墓
    Tycoon Li 李富翁
    Vein 个字下脉
    Viva
    Walking The Dragon 尋龍點穴
    WangTingZhi 王亭之
    WanNianLi 萬年曆
    Water Shed Xue 水脱穴
    WenYan Zhuan 文言傳
    Word Word Gold 字字金
    WuChang Pai 無常派
    WuGui YunChai 五鬼運財
    WuMing Xue 无名穴
    WuXian 五线
    WuXin RenGe 五型人格
    WuXin ShengKe Fa 五行生克法
    WuXin ShengKe Fa 五行生克法
    WuXin 五行
    WuYin 五音
    XianDai SanYao 現代三要
    XiangCi 象辭
    XiangXue 象學
    XiaoXuanKong 小玄空
    XiCi Zhuan 系辭
    XingJia 形家
    XingShiPai 形勢派
    Xing ZhiZhu 星为主
    XKDG KouJue 玄空大卦口訣
    XuanDao 妙道
    XuanGuan ThongQiaoGe 玄關同竅歌
    XuanGuan 玄關
    XuanKong 4 Classics 玄空四经
    XuanKong DaGua 玄空大卦
    XuanKong DaGua 玄空大卦
    XuanKong Da WuXing 玄空大五行
    XuanKong Gua 玄空卦
    XuanKongSanJue 玄空三诀
    XuanKong 玄空
    XuanKong 玄空
    XuanZe QuiZhen 选择求真
    XueXinFu 雪心赋
    XuGua Zhuan 序卦傳
    XunShou 旬首
    Yang CangHua 陽藏華
    YangGong GuFa 楊公古法
    YangGong XinFa 杨公新法
    YangZhengLiaoLiu 楊曾廖劉
    YiGua ChunQing 一卦純清
    YiJing 易經
    YiLiSu 一粒粟
    Yin FengShui 阴风水
    YingYangLuoShu 阴阳洛書
    YinYang Dun 陰陽遁
    YinYang Fa 陰陽法
    YinYang GuiRen 陰陽貴人
    YinYang Jie 陰陽
    YinYang 阴阳
    YiWu YiTaiJi 一物一太極
    YiZhuan 易傳
    YiZhuDingJiXiong 一柱定吉凶
    YongShen 用神
    YongShen 用神
    YuanGua 元卦
    YuCheJing 玉尺经
    YuCheJing 玉尺经
    YuCheTang 玉尺堂
    YuHanJing 玉函经
    YungYaoFa 用爻法
    ZaGua Zhuan 雜卦傳
    ZangShu 葬书
    ZangShu 葬书
    ZhanBu ZhanBu 占卜
    Zhang BiShi 張弼士
    Zhang JiuYi 張九儀
    Zhang QingYuan 张清渊
    ZhangShu 葬書
    ZhangYan Fa 長眼法
    ZhaoShen 照神
    ZhenCai 正财
    Zheng JinGui 郑景贵
    Zheng QingFeng 鄭清風
    ZhenGuan 偏财
    ZhenPianXiang 正表向
    ZhenShen 正神
    ZhenYing 正印
    ZhenYinZhenYang 真阴真阳
    ZhongHuo ErXing Fa 中火二星​法
    ZhongQi 中氣
    ZhongTianGua 中天卦
    ZhongTianGua 中天卦
    ZhouShengXiangSi 座生向死
    ZhouSiXiangSheng 座死向生
    Zhou WenWang 周文王
    ZhouYi 周易
    ZhouZhongPai 中州派
    ZhuXianPai 祖先牌
    ZiBai Jue 紫白賦
    ZiFu ChaiGuan 子父財官
    ZiMen 紫門
    ZiPing BaZi 子平八字
    ZiPing BaZi 子平八字
    ZiXing 紫星
    天寶秘訣 TianBao MiJue
    滴滴金 Drop Drop Gold
    金口訣 JingKouJue


    RSS Feed


Powered by Create your own unique website with customizable templates.
  • Home
  • About
    • Professional Registration
    • Qualifications
    • Engagements
    • Private Practice
    • SIF Fellows
  • Practice
    • Our Approach >
      • S:Scale [Artefacts]
      • M:Scale [Building]
      • L:Scale [Urban]
    • Large Projects >
      • Highrises >
        • SSM International School
        • JBio
        • UKIH
        • Vertigo Residency
        • Diorama
        • Resi-Hub
        • SunMed
        • Medini
        • Palmspring Damansara
        • Blink
      • Lowrises >
        • Data Center
        • Garden Homes
        • XIN
        • Albient
        • Hillcourt
    • Small Projects >
      • Rustic Raphsody
      • MCM >
        • Estate House
        • Uniform Annex
        • Kitchen Extension
        • Sixth Form Center
      • Putrajaya Boulevard >
        • LOO
        • BOO
        • DOO
        • 5 Elements Tower
      • Detached Houses >
        • Batu Residence
        • Malaqa Residence
        • ParkCity Residence
        • Sierramas Residence
      • Commercial >
        • Albion Club
        • QuanYuan
        • Nippon Go
    • Interior Designs >
      • Spartan Minimalism
      • Neo Retro
      • Reflective Modern
    • UBBL 1984
    • Newsletter
  • DYA + C
    • Our CV
    • Adjudication >
      • CIPAA Procedure >
        • Scope of CIPAA
    • Arbitration >
      • Appointment of Arbitrator >
        • Terms of Appointment >
          • Preliminary Meeting Agenda
      • PAM Arbitration Procedure
      • Arbitration Costs Breakdowns >
        • Drawdown
      • Award Writing Blog >
        • Expert Evidence in Arbitration
    • Mediation >
      • Appointment of Mediator
      • Mediation Process
      • Skill Set Lev 01 & 02
    • Expert Determination >
      • Expert Rules - PAM
      • Expert Determination Processes
    • Building Inspection Services
    • Courses & Training >
      • Contract Administration
    • ADR & Construction Law
  • Consultant
    • QuanYuan 泉緣 Story
    • Review
    • QuanYuan >
      • Why QuanYuan?
      • Modus Operandi
      • Consultancy Services
    • Our Lineage
    • Workshop >
      • Teacher's Profiles
      • Message
      • SanYuan 01 - Introduction
      • Community
      • Registration of Interest
    • QiMen DunJia 奇門遁甲 >
      • QMDJ - Shifting Palace
    • Audit & Cases >
      • Cases - REA Hotel
      • Cases - Childless Couple
      • Cases - Childless Couple 02
    • Yifengshui
    • Newsletter >
      • MBS FengShui Reinvestigated
    • FAQ
    • E-Store
  • Educator
    • Author I am...
    • Speaking Engagement >
      • International Contract
      • PAM cpd UNLIMITED 2.0
      • Arch Edu Practice Paper - 3Ds Pedagogy
    • Attempting Law School
    • Journey in USM(Arch) >
      • Thesis >
        • Site Analysis
        • Urban Design Approach
        • Sketch Design
        • Model Based Paradigm
        • Technical Studies
      • Studio 01
      • Studio 02
    • Discourse in Studio 6 >
      • Ideation
      • The Production Model >
        • The Actors
        • The Stage
        • Urban Mass
        • The Box
        • The Play
        • The Break
        • The Newsletter
        • The Document
        • The Presentation
    • d:KON 4 >
      • Actors >
        • Chua LiCheng
        • Ng KenHong
        • Sean Tan
        • Peggy Chai
        • Elliotte Teoh
        • Vincent Tow
        • TzeLer
        • Elaine
        • Ng SongChun
        • Carissa Foong
        • Ng WeiMun
        • Ng ChenYin
        • Nicol Ong
        • Adron Liang
        • Ivan Sung
        • Lau HuiJew
      • Acts >
        • Portraiture
        • A Slice of Space Time
        • Box of Installation of Lights
        • Radio Misreading
        • Grid of Destinies
        • Shelter
        • Anatomy of Pain
        • Tensigrity of Ego
        • Of Prisons and Walls
        • Forest of Nails
        • Curtain of Fears
        • Dissolution of the Ego
        • If it's Ain't Broken it's Ain't Worth Mending
        • Flight of Freedom
        • Cross of Complexity and Contradiction
        • interrogation
      • Stage >
        • Soap Box
      • Play
      • Approach
      • Galleria >
        • Martial Gallery
        • Drive Through Gallery
        • Clinique Gallery
        • Cafe Gallery
        • MACC Gallery
        • Haunted Gallery
        • Backpacker Hotel
        • Audio Bookshop Gallery
        • Funeral Parlour
        • Extreme Game Gallery
        • Play Ground
        • Wedding Gallery
        • Meditation Gallery
        • Water Tower
        • Photography Studio
        • Chapel Gallery
    • External Critique >
      • Discourse in Sem 06
      • Discourse in Sem 05 >
        • The Site - KB
        • The Rectilinear
        • The Paired Kidneys
        • The Boat
        • The Decepticon
        • The Curvature
      • EnviroDesign MasterClass 2015
    • Philosophy
    • Codes Regulations & Standards >
      • Building Codes
      • Fire Codes
      • QAQC & Building Inspection
      • Critics
  • Photo Essays
    • Shanghai
    • Siemreap
  • Contact